Forever: The Fate Of Abigail Morgan

Photo Courtesy Of ABC/Patrick Harbron
Photo Courtesy Of ABC/Patrick Harbron

Warning: Spoiler Alert

Regular viewers of the ABC series “Forever,” likely caught on early, that the latest episode entitled “The Night In Question,” differed in cadence and feel from the other chapters of the show. There was no opening or closing monologue for NYPD Medical Examiner Henry Morgan in this go-round, or any of the off the cuff humor we’ve grown used to seeing. This episode had a serious and dark tone, from beginning to its closing seconds, that fit the subject as well as one of Morgan’s jackets.

Whether Abe’s interruption in Jo and Henry’s conversation, in “Best Foot Forward,” kept the pair from an intimate moment or not, his news would cause Henry’s head to spin, when he found out Abe located Abigail with help from Lucas Wahl. After thirty-years of uncertainty and guilt, Morgan would finally discover the fate of the love of his existence.

Abigail’s last known address was in Tarrytown, New York, back in 1985 and Abe suggests they take a ride over to see if anyone remembers her. Henry’s first thoughts are that Abigail’s still alive, but Abe reminds him that 95-year olds, are pretty rare amongst we mortals. Henry realizes that his wife likely has passed in the thirty-years since he last saw her. They drive out into the country and Henry wonders why Abigail would have lived out in the middle of nowhere. Abe theorizes she may have searched for peace and quiet, Morgan feels she was attempting to hide from him.

They find the house and see an elderly woman outside gardening, they tell each other it can’t be Abigail and they’re correct. However, the woman remembers Sylvia Blake, the alias Abigail used in Tarrytown. She lived in her guest cottage a long time ago. Abe explains Sylvia was his mother, she says that she woke up one morning and Sylvia was gone, but she has a box of her belongings she saved through the years.

She’s about to show Abe the box when Henry spies a winter rosebush, he says that legend has it that Alexander The Great, died from its poison. The woman tells Abe his mother planted that flower, Henry goes on a flashback to Brooklyn in 1946. Abigail, Henry and baby Abraham are in their first American home, an apartment that according to Abigail smells like warm garbage. The landlord, a middle-aged man with a thick Brooklyn accent, comes to the door and says “Youse must be Da Morgans.”

Henry introduces himself, his wife and son extends his hand and the landlord puts a pipe in his hand, telling him to bang on the radiator, when it starts hissing, else the pipes may burst, he welcomes them to America and leaves. Abigail’s looking concerned and asks her husband, if he’s sure this is a good place to raise a family? He tells her to close her eyes, then presents her with a potted winter rose, that he kept alive, during their passage on the Queen Mary. She says she thinks she’s going to like things there.

He’s returning from the memory about the same time the woman and Abe return with the box. She sees Henry looking at the ground near the bush and asks if anything’s wrong? Morgan says that land sinks when a body’s laid below it, in a shallow grave. Abe says he was a gravedigger in a former life, Henry asks for a spade and he comes up with a skull and bones. Abe asks if it’s his mother.

Mike Hanson’s on the phone with his wife Karen, about their pending ski-getaway complaining about the prices, until she hangs up on him. Jo starts to chastise him he asks why she’s not in Paris with Isaac, she responds it fell through. He asks the trip or relationship, she replies both and he expresses sorrow but for himself. He tells her the only reason he made these plans, was because she’d be in Paris. She says she and Henry will hold down the fort, Mike tells her that Morgan’s on a trip.

Fearing she’s the reason Henry left the city without telling her, she finds Lucas and asks where Henry’s at, after a couple of minutes of bluster he tells her they’re searching for Abe’s mother in Tarrytown. She asks what happened to Abe’s father and Lucas tells her he’s unaware of his circumstances, but Jo thinks there’s something funny in the equation.

The house has been declared a crime scene by the Tarrytown’s Sheriff’s Department, Sheriff Vance says that Henry can’t get involved with the unearthing of the bones without NYPD authority. Jo suddenly rolls up and identifies herself, she asks if the NYPD can take over the case and Vance says if they want the old bones, they’re hers to take.

The skeleton’s assembled in the lab and Henry tells Lucas to begin the autopsy, he says that the victim’s a woman, dead for more than 25-years. He then mutters that’s strange, and says her growth plates are open, Morgan says that’s impossible, but in fact they are. That means the victim was no older than 20, ruling out it being Abigail’s remains.

Henry tells Abe that the bones aren’t those of his mother’s, they’re both relieved but frustrated that they’re still back at square one in the search for Abigail. They look in the box of Abigail’s belongings, but it gives them no clue as to what happened to her.

Back at the station, Wahl’s come up with a probable match to the victim. Belinda Smoot, who went missing in 1985 at the age of twenty, fits the description, Lucas also discovered that beside the blow to the head that killed the young woman, she sustained a broken arm, which got reset and was healing when she died. Henry asks Jo if she’d like to go on a trip.

They head to the Tarrytown hospital and he tells her she could have been in Paris, instead she’s enjoying the décor of the emergency ward. She says that wasn’t meant to be and Henry nods. Then she tells him from now on come to her in a situation, such as trying to find Abe’s mother. He says Abe contacted Lucas, not he and she’s one of the few people he trusts. She smiles and says she’s glad, as she thought she made him feel uncomfortable that night in Abe’s shop. He says it takes far more than that to make him feel uncomfortable.

Sylvia Blake treated Belinda for a broken arm the night of April 7, 1985, Henry suggests they look for a veteran nurse who might have worked with Sylvia. They find a lovely woman named Bertha, who remembers Sylvia fondly she tells them she was special. Henry asks why she left and Bertha says she left as she arrived, out of the blue, however she still remembers her last shift.

Sylvia was attending to Belinda who broke her arm in a car accident, when the sheriff’s department brought in a guy they found by the side of the road, the victim of a hit and run accident his motorcycle lying nearby. We see the emergency room in that moment and watch Sylvia tell the victim, she’ll patch him up. When Sylvia left the hospital she took Belinda with her. When Martinez tells Bertha that Teddy Graves was the man who checked her in, she says no wonder the girl decided not to press charges.

Turns out that Teddy Graves is a Federal Judge, which doesn’t stop Martinez and Morgan, from going to his courtroom and accusing him of being the driver, that caused a hit and run accident and that he murdered Belinda Smoot. Graves tells the pair that if someone brought the case they’re trying to pin on him in his courtroom he’d throw the case out, then drives away.

The move felt great for Jo and Henry, but it cost them the case as Graves called station Lieutenant Reece. She tells Martinez to give back the bones and tell Henry to stop wasting the city’s resources. Later Abe and Henry get called out to the street outside the antique store and meet Lucas, whose got boxes filled with dirt from Smoot’s grave. He says the soil’s a treasure chest of evidence too bad they don’t have a lab to use, as Reece told them to keep away from the case. Henry looks to Abe and asks if he thinks it’s time to tell Lucas, he smiles devilishly when Lucas asks what he’s referring to.

Lucas looks like he landed in the Land Of Oz, when Henry reveals the lab within Abe’s Antiques. He gushes that Henry’s a beautiful man. He says just when he thinks Morgan’s peaked, he reaches yet another level. While Lucas sifts through his treasure, Henry goes upstairs and pulls a book out of the box of Abigail’s belongings. He gets to a poem, written by Yates entitled When You Are Old, once again flashing back to that apartment in Brooklyn. He and Abigail are lying in bed one sunny, lazy, day when she says she has to read the poem to him as it’s so romantic. She reads a portion and stops, as they melt into each others arms.

He drops the book and an envelope falls out, he finds a letter from Abigail to him dated April 7, 1985. She apologizes for taking so long, but she realizes she needs him in her life. She writes that she’s found the perfect spot for them, in the country, with a garden and a root cellar. His reading’s interrupted by Abe calling for him and Henry shows him the letter.

He’s filled with joy that Abigail wanted them to be a family again, but Abe reminds him that her not mailing the letter bodes badly. Henry agrees, saying something tragic must have kept her from sending it. Lucas comes up from the lab with what he believes is an earing that he found in the dirt, Henry corrects him, telling his assistant it’s a tie tack. He reads the inscription in Latin, which translates to Under God She Flourishes. He tells Lucas he did great work, then says he’ll bring it to Jo.

However he heads to Graves’ office and puts the tack on the Judge’s desk, when Graves walks in he looks at it and picks it up. Morgan’s standing in the shadows, saying this is proof he killed Belinda Smoot and he asks about the nurse. When Graves fails to speak, Henry loses it and starts slamming the Judge into a wall, some court officers pull Henry off him and put Morgan in a cell.

Jo comes to bail him out, but she wants to know what’s going on, Henry says that he’s trying to find out what happened to his oldest and dearest friend’s mother. She doesn’t buy that’s all there’s to it and asks Henry what’s his connection to Abe’s mom, her cellphone rings driving the question out of her mind. She hangs up and tells Morgan that Graves just arrived at the station.

Teddy Graves was back in Tarrytown during a semester break at Princeton, when he and his former middle-school classmate Belinda Smoot had a fling. He did kill the guy on the motorcycle, they were laughing and drinking and he didn’t see him. He went out to look at the guy and knew he was dying, Belinda begged him not to call the cops as her boyfriend would find out and he had a gun. She broke things off with him after the accident, the last time he saw her was dropping her off at the hospital. He says he tried to hide the skeletons in his closet, to protect his bright future. He gives Martinez the motor cycle driver’s medical file he stole from the hospital to cover his tracks.

Henry’s back home, reading Abigail’s unsent letter, when Abe walks in and chides his father for torturing himself reading about the garden and the root cellar. Morgan’s eyes light up and he starts running up the stairs, telling Abe he’s headed to the root cellar. He picks up Jo and they go looking for it together in the dark.

They find it, buried under leaves, they open the door and Henry recognizes Abigail’s preserves. Jo’s cellphone rings with a call from Hanson, she says the signal’s breaking up and she’ll call him back. She heads outside to call Mike whose checked out the hospital on his getaway, he says nobody signed in as a guest but asks who can hang around emergency wards carrying a gun, without signing in? Martinez responds a cop.

Just at that moment Henry finds a bloody Tarrytown Sheriff’s uniform, he hears a voice saying he’s trespassing on an active crime scene. He turns around to find Sheriff Vance standing behind him with his gun aimed at Morgan. Henry says if you’re going to kill me please tell me what happened to the nurse, Vance says Henry doesn’t get it. Jo comes up from behind Vance and makes the Sheriff lower his weapon.

Reece asks Martinez why the Tarrytown Sheriff’s in handcuffs in her station, she tells her that Vance pulled a gun on Henry. She says she’ll call internal affairs to come pick him up and nobody with a badge goes near Vance, Henry says he understands. Reece looks him in the eyes, and says she wasn’t talking to him, Henry finally catches the hint.

He goes into the interrogation room tells Vance he believes when he brought in the guy on the motorcycle, he saw Belinda in the hospital and got upset. Swept up in a jealous rage, he accidentally killed her. Vance says he got drunk they argued, he pushed her and she fell and cracked her head open. So he buried her, but he says that the nurse left before he went in the cottage. She took off in a car with a slender man with dark hair in his thirties, she never returned.

Henry realizes that perhaps Abigail drove the car off the road, as the woman who owned the cottage didn’t see her drive by. He and Jo search the woods, Morgan finds the wrecked and abandoned car, then he finds Abigail’s remains a few feet away.

They bring the bones back to the lab, this time Henry starts the autopsy saying the victim died of a broken pelvis, suffered in the crash her throat was also slit, when she went through the windshield. Lucas, quietly corrects his mentor, pointing out broken ribs that might have occurred during trying to revive her and the wound on her neck came from a knife. He says looking at the angle, it looks like she cut her own throat. Martinez asks why someone would get revived, only to cut their throat? Henry theorizes that she was trying to escape from someone, he then leaves the lab without another word.

When he returns home, he tells Abe that the man on the motorcycle’s the common denominator in all the cases. The problem’s identifying who that man was. Suddenly it dawns on Henry and he tells Abe he needs to be alone for a moment, Abe asks what’s wrong Henry screams a moment.

He uses an old rotary phone to make a call the voice on the other end  is Adam’s, he realizes that Henry’s figured out he was involved in Abigail’s death. He curses at Adam and says that he killed her, but Adam explains what actually happened. He was found by the deputies, abandoned on the road somehow this incredible nurse kept him from dying. However he was so badly beaten up he begged her to kill him, then told her that he’s immortal the funny thing was she believed him. So he realized she knew another immortal and wanted her to introduce them to each other.

She was called away to help another nurse, he crawled from his bed to the defibrillator paddles and shocked himself to death. He regenerated and followed her home, but she thought Adam meant Henry harm. As they talked, Belinda came downstairs and asked if all was okay. Adam flashed a knife and asks should I take her first? Abigail tells her everything’s fine she’s just going to give the man a ride. She thought she saved the girl’s life, not realizing Vance was waiting for her to leave.

Henry asks how she died, Adam says she drove the car off the road. He tells Morgan he realizes Henry thinks he’s a monster, but he revived her. When she came to he said for two thousand years I thought I was alone, she spits out the words you’re still alone, grabs his knife and cuts her throat.

Henry says she died trying to protect me, Adam replies that a good woman’s hard to find. He hangs up the phone and we see he’s standing across the street from Abe’s shop, we can see Henry in an upstairs window. He hangs up the phone and stands in the dark, his eyes filled with tears. The lyrics of the background music, say let’s love free, let’s love now. Cause soon enough we’ll die.

The Season Finale Airs Tuesday May 5, at 10:00 pm on ABC.

Forever: One Step Closer To Closure?

Photo Courtesy Of  ABC/Giovanni Rufino
Photo Courtesy Of ABC/Giovanni Rufino

Warning: Spoiler Alert

Yes, the latest episode the ABC series “Forever,” did have a full hour’s worth of plot, however if you’re reading this immediately after watching this chapter, likely all you can think about are the final three minutes of the show. Yes two giant cliffhangers, occurred in that last segment and we’ll eventually get to it, but let’s talk about the moments, leading up to that final scene first.

If you’ve yet to figure out why so many, including this writer, believe that Forever is the best new show of the 2014-2015 TV campaign, you might want to sit down and watch the episode entitled “Best Foot Forward,” as it highlighted the strengths of this show. As I’ve written before on these pages, the formula for success on the small and large screen is simple, combining incredible writing and top-notch acting, attaining that combination, however is far more difficult.

Bottom Line: Series Creator Matt Miller and his writing staff are wonderful storytellers, an art appreciated since our oldest ancestors sat around the fire at night, dreaming of what comprised the silk-black sky above them. The show breaks down barriers, combining the best aspects of a procedural, a sci-fi/fantasy tale and one man’s search for love and contentment. Add to that one of the finest acting ensembles, on Television today and you’ve got a show, that given time to grow, could become one of the finest productions, in the history of the medium.

The case that the precinct solved, was intriguing in its own right, however resolving some other situations, also played a huge part of this episode. Those situations led up to the final segment, that many viewers likely watched multiple times, before shutting off their TV.

We start the hour, watching a crowd stream into the Stuhler Center For The Performing Arts, to attend a ballet. A historic event, dubbed by company director Dmitri Milkoff, the final performance for the company’s Prima-Ballerina, Odessa, retiring after this performance. Except the company forced her out, as Milkoff says the pain started showing in performance. She tells him she tolerates the pain, but she can’t stand him.

The curtain opens and Odessa dances, smiling to the crowd. They reach the end of the first act, when Milkoff asks where dancer Eva Selgas is at, she’s got a solo, early in the next act. A woman with a laundry cart, taking the dancers costumes, sees blood staining the bottom of her cart. She starts rummaging through the cart, then screams when she discovers a dancer’s foot, encased in a ballet slipper.

We travel to Abe’s shop, finding Henry’s in the basement, playing with the pistol that initially killed him and we hear Adam’s words, see flashbacks of the pistol killing Morgan. Curiosity, bordering on morbidity, the pistol doesn’t repulse him. He’s fascinated by it, meaning at least in my mind, some part of him is entertaining using it on himself. Suddenly, he hears Abe upstairs, gets nervous and goes up to check on Abe.

Abe’s on the phone with the medical center, he believes Abigail worked at, after leaving Henry in 1985. The operator’s sympathetic when he says he’s looking for his mother, but says he’d need to get the police or a Medical Examiner involved, to acquire information. Henry’s coming up the stairs and he thanks the woman and hangs up. They then each fabricate stories, to explain what they’d been doing.

Jo Martinez blindfolded, sits in her boyfriend Isaac Monroe’s kitchen, as he feeds her something from a spoon, her face registers with delight. He tells her it’s his homemade paella, every bite will make her feel, like she’s on the streets of Seville. She tells Isaac, she’s never travelled, suddenly he wants to take her to Spain, or any place she’d like on his private jet. She starts tensing, when the phone rings, Mike Hanson’s at the Stuhler Center.

Henry looks at the foot and says obviously a dancer, she’s five feet four, judging by her skin color, possibly of Spanish descent, she loves sushi and her favorite color’s red. (Well, he said some of that.) Hanson’s not even impressed with Morgan’s talents at this point, asks if she could be Cuban, then shows them the photograph of the only dancer missing the performance, Eva Selgas.

Lieutenant Reece asks her officers, how the investigation’s proceeding, Mike says considering they’ve yet to find a body, there’s not much to go on. Reece, says the Mayor’s called twice already, so get this case on the front burner and find the body, as quickly as possible.

Henry and Lucas examine the dancers foot, Morgan points out the broken toes and strained ligaments she had, then sees needle marks on the heel and assumes she was taking cortisone for the constant pain. He says to Lucas, it’s amazing, what some people will do for their art.

Which leads us to our first flashback of the evening, the graphic informs us, that we’re in Paris in 1929, Doctor Morgan’s dressed to kill, in a tailor-made suit. Though he came because his friend Valerie said she was sick, we hear jazz blasting into the hallway, Morgan opens the door and finds the apartment’s filled with some of Paris’ finest.

Valerie greets him, she said she fibbed to get him over, as she knew he wouldn’t attend a party. We see a dashing American, say to Morgan, that this is Paris, he should be exploring the city, with a beautiful girl on his arm. Henry replies, I had a girl Ernest, until she got seduced by an American novelist. The man says he’s forgotten that, perhaps Henry should too. Morgan starts to stop the man from walking away, when Valerie tells him she won’t allow him to ruin her party, fighting with Hemingway again.

Morgan asks what they’re celebrating, Valerie tells him her new sculptures, got accepted by the Salon. Henry’s awestruck by her creation, telling her it’s her finest work yet. A woman sidles up to Val, and they head towards the back of the apartment. Later that night, as the apartment’s almost cleared out, Morgan’s about to leave, when he looks for Valerie, to wish her good night. He finds her comatose, on her bed, a hypodermic-needle, stuck into her arm. Henry removes the needle and helps Valerie vomit, saving her life.

Abe heads to the precinct, to try to engage Lucas Wahl’s help in finding Abigail, saying he needs a Medical Examiner to get records released and he must keep this mission, a secret from Henry. After Abe flatters Lucas a bit, he says he’d be glad to help Abe try to find his mom.

Back in the present, Martinez has struck out looking for Eva’s body, while all Henry’s turned up, was some carpet fiber, from her slipper. They go to visit Eva’s brother Javier, the two came to the USA on a raft from Cuba and have remained very close. All he can tell them is that Eva said she thought she had a stalker, but didn’t reveal a name. Morgan, however gets excited when he realizes Eva drove a classic-car, as the rug-fiber, likely came from the auto. We find the car, we might find the body.

Mike locates the car in an impoundment lot, there’s blood in the trunk, but not enough for her to have bled out. However, he finds some tubing and says she might have used a tourniquet, to staunch the bleeding, if that’s the case, then Selgas might still be alive.

Lucas and Morgan inspect the car in a “Clean-Room,” Henry tells Wahl, that time’s critical. A young woman comes down to tell Lucas he needs to sign for the records he requested, from the medical facility. Henry barks out what medical records, his assistant says it must be a mistake, he’ll straighten it out.

They bring in Odessa and one of her thugs, Sergei for questioning. The Prima-Ballerina says she’s angry she got replaced, but never touched Selgas, she says it’s an old Russian trick, make a rival nervous, to throw them off their game. Morgan, raps on the glass in the room Jo’s in, stopping the interrogation.

We’re in front of the Stuhler Center, Henry tells Martinez and Hanson that Odessa and Sergei aren’t involved in the murder. He then points out the statue in front of the building, telling them that the Romans referred to that type of work, as a lover’s statue, as lovers would leave notes for each other in the work’s crevices. He quickly finds a note, in the crook off an arm, the note says meet me at the Oyster Bay Motel at four, P.

They head to the motel, realize that’s where Eva’s foot got cut off, Henry realizes that the sand and grass he found in the tires, matches the area. He then points out a large flock of seagulls, likely there for food. Morgan runs into the grass, finding Selgas still alive.

In Eva’s hospital room, Javier expresses concern, over his sister’s safety, Lieutenant Reece assures him that there’s a guard stationed at her door 24-7. Reece asks the doctor, when she may wake up, to possibly identify her attacker. He responds, looking at her chart he’s amazed she’s alive, Morgan says what the chart fails to show’s her spirit, her determination, and her will.

Lucas and Abe strike out finding a match for Abigail amongst the files they received. Wahl says to get any more in-depth records, they’d need to get Henry involved, Abe acknowledges they’ve hit a dead-end. Lucas feels terrible that Abe can’t get closure, the older man responds, that what hurts the most, is thinking she ended up in a morgue under a phony name, possibly going unclaimed.

Abe thanks Lucas for his help and leaves, Wahl starts to get up, puts his new scarf on and gets inspired. He puts on a phony British accent and identifies himself as Henry, then asks for some records, as he throws the scarf around his neck.

Jo’s at her desk, a brochure of Africa sitting in front of her, talking to Isaac about a vacation in Africa, he says they can go on a safari. She says if she’s going on vacation, no guns. He then suggests Paris, she starts to tense up and sees Henry heading to her desk, using that as an excuse to hang up.

Henry asks if she’s traveling to Africa, she replies no, but Isaac wants to take her on vacation. Henry says he works fast, she responds that’s the problem. Morgan asks if she’s adverse to going because she doesn’t care for him enough and she says it’s just the opposite. He sits down and says that if they’ve learned anything from this case, you can live through the pain you’re going through, but you can’t let fear stop you from opening up to someone you care about.

The pair then head back to the Stuhler Center, to interview more dancers, when a ballerina’s dropped and hits the floor hard. Henry runs to her, helps her up and gets her seated, she says she’s fine, as she starts to inject a needle into her heel. Morgan advises her to go with ice and rest, she says look around Doctor, you think anyone cares about us? It’s all about being the best.

Second flashback, as Henry returns to Valerie’s apartment the day after the party, while she’s working on a statue. Morgan scolds her for getting her creativity from heroin, she thanks him for saving her, but says she doesn’t want a lecture. She tells him that heroin’s her muse, that she becomes incredibly creative while high. He tells her that if she believes in herself, she can create true wonders, far better than her present work. She says she needs to get back to work and says goodbye to Morgan.

After chasing several false leads, Eva regains consciousness and talks with Henry. She tells the Medical-Examiner, that all she remembers is waking up in the trunk, realizing what had been done to her, the rest’s just a blur. Morgan asks her doctor, when they’ll amputate the rest of her leg, the doctor replies it’s not needed, the wound was surgically cauterised.

He informs Hanson and Martinez, that Eva’s assailant had a medical background. Mike sprints to his car and shows Jo and Henry, that Javier was a field-doctor in the Cuban army.

Hanson and Martinez run to Javier’s apartment, knock down the door, he’s not there, but Mike finds a bone-saw. Javier enters, he sees the detectives, jumps out the window to the fire-escape, then runs to the roof, realizing he can try to jump to the other roof, or get arrested. He attempts the jump, grabs the other roof’s ledge, then falls to his death.

Morgan’s mystified at why Javier would do this to his sister, Jo says perhaps he got jealous. She then smiles and tells Henry she took his advice, Isaac and her are headed to Paris that evening. She asks what he would recommend she do in Paris, he says to go out and get lost in the city streets. Go until you’re so tired, that you have to stop at some unknown café, have something wonderful to eat and a couple of glasses of wine, then have at it again. Jo’s eyes glisten, as she responds that’s nice.

Lucas comes up as Jo goes home to pack, with the toxicology reports from Selgas’ foot. Her brother injected her with some drug, to fight off the pain of a congenital birth defect. She’d only be able to dance for one more year. At first Morgan’s puzzled, but soon has his eureka moment.

Eva’s getting discharged from the hospital as Henry arrives, he tells the nurse that he’ll push Selgas’ wheelchair to her car. He then reveals that he’s figured out that Javier cut off her foot, to keep her memory alive forever. She would have had to quit dancing, just one year after getting the title she spent her life working for. This way, she’ll get remembered, as the girl who had limitless potential taken from her in a violent act. Eva’s face turns to stone, as she replies that’s quite a story, very dramatic. Then she tells Morgan she’ll take it from here and wheels herself to her adoring public, waiting for her at the elevator, she’s beaming.

Martinez wants to arrest her, Henry says without Javier, they’ve got no case. Reece says the District Attorney would toss the case, go catch your plane and bring her back some pastry.

Lucas gets a call, from the medical facility, they’ve got information on the woman he’s tried to locate, the man on the other end asks if he’d like it now. He puts back on his accent and says please.

Isaac picks Jo up, puts her suitcase in the trunk, says he’s excited to being going to Paris with her. He then says he has every minute planned, every bite they eat, every sip of wine they take, Jo asks if they could just get lost? He laughs, says I won’t get you lost.

Henry heads back to the shop, then puts the pistol back in its case. Yes, he’s still grieving, still needs closure with Abigail, but he loves life too much on April 7, 2015 for him to cash in his chips right now, this incident and his last memory of his friend Valerie, reinforced that. Morgan made one last visit to Val’s apartment, she’d sculpted a lover’s statue, like the one in front of the Stuhler Center. But his excitement, turned to horror as he saw Val’s dead body on the floor, feet away.

There’s a knock at Abe’s shop’s door, it’s Jo with her suitcase in hand. Henry asks her what happened, she said she didn’t want to go. He asks, you didn’t want to go to Paris? She replies, she didn’t want to go with Isaac. Then she says I didn’t want to go to Paris with Isaac, looking right into Henry’s eyes. He knows exactly what she’s saying, but he’s afraid to go there, so he bats her statement away by asking her why? She replies she doesn’t know, as they’ve both lost their nerve. She starts to say something when Abe walks in saying he’s glad Henry’s there.

Abe says he needs to talk to Henry, Jo says it really wasn’t important, see you at the precinct in the morning. The look on Henry’s face priceless, a mixture of confusion and frustration, as he watches her leave. He then turns to Abe and says what’s wrong Abraham, his son say I Found Mom. Let that phrase linger with you as you go through the next couple of weeks, waiting for the season’s final two episodes. Abe didn’t say I found out what happened to Mom, which he would’ve if she died, he said I Found Mom. Abigail Morgan’s ALIVE.

The Story Continues Tuesday, April 21, at 9:00 pm on ABC.

Forever: Mummified Corpse Brings Back Heartache For Henry

Photo Courtesy Of ABC/David Giesbrecht
Photo Courtesy Of ABC/David Giesbrecht

Warning: Spoiler Alert

They say memories make us who we are, that the past defines us. But, we can’t forget to grow, evolve. Because sometimes a memory’s so powerful, that we get stuck in it, frozen in a moment.”

Henry Morgan’s opening monologues, are always a high point in an episode the ABC series, “Forever,” but the one he gave near the beginning of the latest episode entitled “Punk Is Dead,” basically summed up the plot for the evening. Dr. Morgan’s latest case, involved the lost love of a rock-guitarist, convicted of murdering her 30-years earlier and brought back vividly, Henry’s memories when Abigail left in the mid-eighties. That incident almost destroyed Henry, mentally and spiritually, before recovering with help from his son, Abe.

Our first scene takes place in Henry and Abe’s kitchen, as Henry blows on a hot seafood dish, Abe just prepared, when he asks if he added the saffron. Abe replies, of course it’s mom’s recipe, Morgan takes a bite and he’s in heaven. Abe says that dinner’s a nice change of pace, no bodies or calls from Jo Martinez, summoning Henry for another case.

Henry responds that Jo’s on a date with her new beau and Abe starts interrogating his father, about the man she’s seeing. Morgan tells him that his name’s Isaac Monroe, he’s a hotelier, driven and rich, his son replies wealth doesn’t impress him, but at least Martinez’s dating again.

Monroe takes Jo to the Forever universe’s legendary New York City Punk Club, the Trash Bar, for their celebratory final concert. Isaac bought the club and he’s tearing it down to put his next hotel in that spot. Martinez says he can’t do that, the place’s a landmark, filled with music and as she looks around the crowd, she says and drugs and starts reaching for her shield. Isaac stops her, asking her to take the night off from being a cop.

Carrying on a tradition that began with The Who, then got turned into an institution via the Sex Pistols, the band onstage starts destroying their instruments, the guitarist taking his instrument and smacks it against the backdrop wall, putting a hole through it and exposing the corpse of a woman buried within the walls.

Henry and Lucas arrive at their lab and meet Jo as the corpse is on an examining table, Martinez still wearing the outfit she wore for the date and Henry tells her she looks nice. He tells her the body got mummified by being wrapped in insulation, and they’re going to hydrate it with a bath, using a formula started in Egypt in the last century. If things go well, they might get a facial recognition of the woman.

The phone in the lab rings, Lucas picks up and the man on the other end asks to speak to the detective handling the Jane Doe case. Martinez gets on the line and the man asks if the victim’s Lucy, she then puts him on speaker-phone. She says they’ve yet to identify the body, but he’s welcome to come down to try to identify her, he says that would prove difficult as he’s in prison. She asks who it is and the man says he’s the guy convicted of killing her.

The man on the phone, Eddie Warsaw, was the lead-singer and guitarist for an eighties band called the Buzz-Cracks and boyfriend of Lucy Templeton,  who indeed was the woman discovered in the wall. Lieutenant Joanna Reece was a beat-cop on the case and the District Attorney’s office wanted a quick conviction, considering Eddie and Lucy worthless junkies. Reece thought they didn’t do a thorough investigation, but was too low in rank to speak up. She tells Jo to take Henry to visit Warsaw.

The former Rock-Star confirms the pictures they bring of the body are Lucy, then asks if that means the case will get reopened and Jo replies, the evidence still says he killed her. Eddie says he’s built up all sorts of theories over the years and has an extensive collection of notes, would they like to examine it? Henry quickly says yes, but Jo replies no. Warsaw looks her in the eyes, saying he didn’t kill Lucy, she was his heart, then he asks the pair if they have any idea the pain of losing the love of your life, without having a clue where she’s gone to?

Dr. Morgan knows that experience all too well, as we witness ourselves as we take our first flashback of the evening to 1985, as Henry’s in his house, shouting out of fear and frustration to two policemen standing in his living room. He tells them they don’t understand, his wife’s missing and they ask for a recent picture of Abigail, that he gives right to them. The first officer looks at the picture then at Henry a couple of times, before he asks how old she is and Morgan says 64. He then says he received a letter from her a week after she left, saying she needed to do some thinking, but she’d return, however it’s been three-months.

One of the officers reads the message and tells Henry it’s a Dear John letter, but Henry says that’s insane. They tell him it looks like she wants to stay hidden and there’s nothing they can do to help. They wish him luck and leave and we can see by Morgan’s facial expression, he’s running out of options.

The District Attorney claimed that Eddie killed Lucy with his guitar, but Henry says the wound on the back of her head weren’t  caused by a guitar. Jo walks into the morgue as Henry comes to his conclusion and he informs the detective, she tells Morgan that Eddie’s upstairs, ready to sign a confession he killed Lucy, in exchange for his immediate release. Henry convinces Warsaw to reject the deal, the D.A. says they’ll pull the deal off the table in 48-hours.

Henry tells Abe about the case and his son says that make sure this case’s about Eddie and Lucy, not Henry and Abigail. We flashback to 1985, to find Henry passed out on his living room floor, getting revived by a younger version of Abe, portrayed by David Krumholtz. The house is in complete disarray, with Morgan’s notes all over the living room. Henry says he must have passed out due to exhaustion, but they need to go to the bus station, as a clerk thinks he may have seen Abigail. Abe says it’s too late and puts Henry to sleep on the sofa with a pillow and blanket, then says I’m here now Dad. Morgan’s soon asleep and Abe looks around the room repeating, I’m here now.

Detective Mike Hanson was in a band in his early years, called Craniac, (pretty cool, huh?) and he brings in a coffee table book of photos from the Trash Bar, to show his buddies his ear in one of the pictures. Henry realizes, that the photographer Carl Massey, was likely familiar with both Lucy and Eddie and pay him a visit. A young man answers the door and it turns out the former gonzo-photographer, now specializes in child’s portraits to put food on the table.

Massey tells them he knew them both well and wasn’t shocked when Warsaw got convicted for Templeton’s murder, he said Eddie always had a temper. But then he says that the rest of the band hated her, they called her Yoko and said she stopped the band from reaching the top. Carl says, she likely was, because the only thing Eddie loved more than the band was Lucy.

The two go to talk to Eddie’s old band mate Rich Dornis and he notices that a wrist band that Rich’s daughter’s wearing, which belongs to him, have the same spike-placement as the marks on Lucy’s thigh. They ask to speak to him privately. Dornis says he did cause the wounds, as he found her dead body and buried her in the wall to protect Eddie, he says they were family and he had to help.

Henry goes to the penitentiary where Eddie’s imprisoned and says that everything Rich says checks out. Warsaw  starts getting agitated saying maybe Dornis killed her, then the prison guards take him  back to his cell, Warsaw’s notes and pictures, wind up all over the floor.

Morgan’s checking things over and over again, trying to prove Eddie’s innocence. Abe comes in and says this is how it started the last time Henry, I pulled you out once, I’m not sure I can do it again. We once again return to 1985, Henry wakes up after sleeping on the couch and sees all his notes and his corkboard are gone. He calls for Abe and his son tells him he threw the stuff out. He says it’s a year you have to get on with your life.

Henry’s nearly hysterical saying he can’t go on without her and he lacks death as an option. Abe replies that’s right, so you can sit and sulk for the next 175-years, or get over it. Henry asks how Abe can act so callous, Abigail was his mother, his son responds, that’s right and he lost her too. The phone rings and it’s the police, they may have found Abigail.

Apparently, Eddie lost all hope of getting cleared so he signed the deal, admitting he killed Templeton for his immediate release. Minutes later the toxicology report on Lucy comes back, she was clean for eight-months before she got killed. Henry realizes she must have had a reason to kick it and does a test to find out she had a baby. They look him up and his name’s Jeff Templeton and Jo and Henry go to pay the boy a visit.

Turns out Jeff Templeton’s the adopted son of Carl Massey and Martinez and Morgan quickly realize, Massey killed Lucy. They head to his shop, he tells them she was carrying Eddie’s baby, but she thought he’d freak out, so he took her upstate, got her sober and helped deliver her son. But after she gave birth to Jeff, she wanted to see Eddie again. He followed her and in a struggle to take her back upstate, she banged her head against the nail and died. Jo cuffs Massey and they take him outside.

Eddie’s waiting for them figuring out when Henry showed her the pictures Massey took of Lucy he loved her. He shoots out a window and when Jo reaches for her weapon he tells her to stay still. He’s about to shoot Massey, when Jeff shows up, the resemblance between Eddie and Jeff’s remarkable and Eddie drops the gun.

Massey’s getting arraigned on accidental homicide, but Eddie’s allowed to go free, Jo says he can go and he asks go where? Henry says he has a son and Warsaw says the boy doesn’t need him, Morgan counters with perhaps he needs the boy.

Back in 1985, Henry and Abe see the body and it’s not Abigail’s. When they walk away, Henry says he’s not sure what’s worse if that had been her, or her still missing, then asks Abe, what next? His son responds, with all the crap he’s collected over the years, Henry’s almost a hoarder, Morgan asks if Abe wants him to throw out his stuff? Abe says let’s sell it and open an antique store.

Mike finally gets to show off his vocal skills, as Isaac and Jo, Henry and Lucas watch him rock out in a karaoke bar, they applaud vigorously. Jo and Isaac kiss and Henry looks uncomfortable, but attempts to play it off.

Later that night, Henry’s sipping some whiskey, at home, looking at Jeff Templeton’s birth records when Abe walks in. Henry says something about the twin-doves in the logo reminds him of Abigail, but he’s going to leave it alone and go to sleep. Abe picks up the document and looks at it, we then see him in a storage facility, he opens the door to a room and all Henry’s stuff’s stored there, Abe didn’t throw it out. He looks at the poster board and sees a 20 cent stamp that has the same two doves together.

The Story Continues Next Tuesday Night at 10:00 pm on ABC. 

Forever: Trying To Out Run The Past

Photo Courtesy of ABC/Patrick Harbron
Photo Courtesy of ABC/Patrick Harbron

Warning: Spoiler Alert

One can try escaping to the opposite side of the Earth, but there are two things a person can never run away from; who they are and the acts they’ve committed. Although NYPD Medical Examiner Dr. Henry Morgan’s restarted his life countless times, during his 200-years on this planet, he still carries the internal scars he got in the early 19th Century. This week’s episode of the ABC series “Forever,” revolved around character’s with deep secrets, including Henry himself. Morgan’s secrets got jeopardized in the present and he flashbacked to a time when his secret became endangered in the distant past.

We’re in one of the busiest spots on the globe as the episode begins, Times Square at night and we watch locals and tourists heading to their destinations. Suddenly our focus shifts to the Jumbotron, telecasting an interview show called Hot Seat, the host’s interviewing Lawrence Creff, CEO of Hallaway Industries and a nominee, for the Assistant Secretary of Defense position. Creff tells the host and their audience that the critics are wrong, as CEO of Hallaway, serving American’s was his job, and he’d do the same in the Government slot. He says in no way would him getting the post be a conflict of interests.

Suddenly the large monitor on the set behind the two men, shows the image of a porcelain mask, then we see writing on the monitor, while an electronically distorted voice reads the text.  “SO MANY LIES, MR. CREFF. WHERE TO START? HOW ABOUT THE DINNER CONVERSATION?”

The monitor switches to a recording of Creff addressing a restaurant filled with prosperous-looking businessmen and Creff tells the group to invest in umbrellas, as it will be raining money next year. We suddenly switch to the studio’s control room, as the show’s producer finally says, he thinks they got hacked. We watch a young guy watching the show in a bar and smiling at the results, it’s obvious he’s involved in the events that just took place. He leaves the bar grinning from ear to ear and heads home.

The next morning Henry joins Abe for breakfast, Abe’s quite animated about the hack-job on the talk-show, says it’s the work of “Faceless,” a secret Hacktivist group, looking to out all the corruption in the country. Henry says he finds it quite odd, that people out to save the world, wear masks to do their work, Abe says he and his cohorts never wore masks in the late sixties protesting the Viet Nam war.

Our corpse of the week, of course is the guy we saw in the bar the night before, found dead in his bed. Lucas at first assumes that the victim Eric Shaw, died of cardiac failure, but Morgan corrects him and tells him the cause of death was asphyxiation. Suddenly the apartment becomes alive, all the lights go on, the heater, the stereo, Shaw had all his electronic equipment connected to an app on his cell phone. Henry believes that Shaw died from inhaling gas while sleeping from the heater.

Back at the station Detectives Jo Martinez and Mike Hanson, are about to check some leads, when a young man and women, both in their mid-twenties, tell them their usual tactics won’t work in this case. Meet the Cyber-Cops, partners who normally deal in Internet crimes such as stealing and hacking, are on this case as it’s believed the murderer killed Shaw by remote control, hacking into his phone app to turn on his heater, after they snuffed out the pilot light. The female Cyber-Cop, Irene tells Hanson and Martinez they can just relax, they’ll locate the hacker by the end of the day.

Jo’s feeling kind of outdated and useless, so she visits Henry in the morgue, as he’s in the midst of conducting Shaw’s autopsy. He says something just doesn’t feel quite right, then he asks Martinez if she’d like to go and get gassed, Jo replies, now you’re talking.

The two of them are lying on Eric Shaw’s bed, both wearing gas masks, while Henry holds a device measuring gas content in the room. The two start talking about different ways to perish and then Martinez asks Morgan, why he chose to head into pathology, why’s he so interested in death? Morgan says perhaps because it feels like he’s solving a puzzle each time he comes up with a cause of a victim’s demise. The indicator goes off, but Henry says due to the gap in the window, the gas concentration wasn’t enough to kill Shaw, although it would have knocked him out.

They head back to the morgue and Henry shaves off Shaw’s beard, revealing an abrasion on his mouth. Someone actually held their hand over his mouth to suffocate him. The pair go to find the Cyber-Cops to tell them Henry’s discovery, when Irene tells them they just arrested Lawrence Creff, as the hack got traced to his house where he was all night. Jo says, that would make him innocent as Henry just discovered the murderer was in the room with Shaw when he died.

Creff’s brought back to the station and interrogated and he tells the cops the idea of him killing Shaw’s ludicrous. He was with his wife and attorney all night long. Jo then asks how that tape appeared on Hot Seat and he theorizes it’s security footage, but Martinez says security footage has no sound, perhaps a guest or a member of the wait staff taped it on a cell-phone. Creff says his guests were thoroughly vetted and wouldn’t pay ten grand to eat Pastanero, if they were looking to get him. Henry in the other room winces, as Pastanero was the last meal that Shaw ate.

Henry and Jo head to the restaurant that catered the dinner, but the manager doesn’t recognize Shaw’s picture and says all his employee’s are trustworthy. Henry see’s a female member of the kitchen staff, with a mathematical equation tattooed on her shoulder, that’s our girl he tells Jo. Her name’s Liz Chamberlain and she denies knowing Eric Shaw, but Henry says she not only knew him, they were lovers, her eyebrow piercing left a scratch on Shaw’s forehead. Chamberlain knocks down some dish racks and runs away. She jumps on a cycle, but Jo and Henry are right on her tail, but somehow she gets all the lights her way and escapes.

We have our first flashback of the evening and the graphic informs us we’re in London in the year 1865, Henry’s a doctor in a hospital and a pretty young nurse, points to a newspaper article posted on a column. The headline reads Hero Doctor Saves Child From Towering Inferno, along with an illustration of the savior, our Henry. Morgan fumes about making so much of a fuss and the nurse says the hospital administration considers it great publicity. Then she says she’d like to get rescued by Henry herself and they share a kiss, we realize they’re romantically involved.

The nurse then asks Henry if he’s kept anything from her, any hidden secrets? He responds of course not and she says there’s a woman downstairs claiming she’s Henry’s wife. Morgan enters the room the woman’s in and as she gets up, he quickly sees, she’s quite elderly, possibly in her seventies. She says when she read it in the paper she couldn’t believe it, but now seeing him in the flesh she knows it’s true. He is Henry Morgan her husband, suddenly Henry’s mind starts racing and he realizes it’s Nora, fifty-years after she put him in the asylum. The nurse walks into the room he whispers Nora, and the old woman faints.

Back in the present Cyber-Cop Irene, tells the pair that a hacker known as the Warlock, an infamous cyber-criminal aided Liz’s escape by remotely controlling all the traffic lights. The pair soon sit down and question the Warlock, who is reality’s named Bernard Belcic and looks like a dumpy slacker in his late twenties. He admits to triggering the traffic lights, as he’s got the “city code,” the key to unlocking and utilizing any electrical equipment the city uses. He also says he met with Shaw and Liz Chamberlain the night Shaw died, she was still there when he left. He then tells them if Liz’s hiding, she won’t be found unless she wants to be.

Henry’s in his lab when he sees a message on his computer monitor, “Lose Something Dr. Morgan, Or Whoever You Are?” Henry types back who is this and the Liz Chamberlain flashes on the screen, telling Morgan he’s the slowest typist on earth. She then tells Henry, she didn’t kill Shaw, that she truly loved him but now she needs to disappear and she wants Henry to fill out a death certificate for her. Morgan says she’s insane, but then she tells Henry she did some digging and he’s as phony as a three-dollar-bill. His Social Security Number and his records popped up out of nowhere six years earlier and she knows he’s hiding something. So his choice is he helps her, or she tells the NYPD about his forged records.

Henry talks about things with Abe and the antique dealer reminds him of the fallout, the last time someone tried revealing his secret. Then he says the situation involving Nora, ended in tragedy. Abe says you have to decide how far do you go to protect your secret?

Back in 1865, Nora’s now a patient at Henry’s hospital and he’s her attending physician, but he tries to act like she’s a stranger. When he asks her name she says Mrs. Henry Morgan and you’re my husband, why would you deny me this pleasure at my advanced age. Henry’s temper comes to the surface and he speaks through clenched teeth, because you denied me Nora, you destroyed my life. She says she’s sorry, she now sees she was wrong, but they’re back together to reveal his secret and marvel mankind. Morgan tells her, that she’s never to mention, he’s his secret for fifty years and he’s keeping it secret.

Back in the present. Henry heads from the living quarters into Abe’s shop, when he hears a woman’s voice. It’s Chamberlain who wants her death certificate, Morgan pulls one from his pocket and holds it out to her. He says this won’t give her a new life. She’ll be constantly looking over her shoulder waiting to get discovered. She’ll never know peace or freedom.

Liz says she’ll take that chance and holds her hand out for the certificate, Morgan says so will he and rips it to shreds. She gets up says okay you got warned and walks out of the shop. The Cyber-Cops locate her as soon as she starts walking, she gets a few blocks away, starts crossing the street on a cross walk, just about to text the message to Jo when she’s hit by a car, exactly when Mike and Jo arrive. When Henry arrives at the hospital Martinez says she’s on life support, she has a 50/50 chance of surviving.

Martinez and Hanson bring in Bernard Belcic, certain that he timed the lights to get Chamberlain killed. However the Warlock tells them he couldn’t access the lights even if he wanted to, the “city-code” got changed by a member of the NYPD.

Back in 1865, the pretty young nurse goes up to Henry and asks if he’s heard the news? The old woman claiming to be his wife came back to the hospital, talking about all sorts of crazy things and they’re going to put her in the asylum. Henry says no, she’s just mildly confused from the fall she had, suddenly the door opens and in walks Nora, holding a pistol. She says she’ll prove Morgan’s immortal and fires the gun, but the nurse steps in front of Henry, takes the bullet and dies instantly.

We head to Chamberlain’s room and the only two in the room other than Liz are Henry and Irene the Cyber-Cop, when the light-bulb clicks over Morgan’s head. Irene was the woman Eric Shaw seduced and stole the codes from, she killed him and now she’s trying to kill Liz. Liz starts going into shock, but Irene’s disconnected the room from the rest of the hospital grid, she tells Henry she knows his secret, if he lets Liz die all their secrets die with them.

Henry hits an alarm and starts performing heart massage on Chamberlain, other doctors and nurses enter the room and Morgan saves her life. Irene runs out of the hospital and her partner asks what she’s doing, she says all her secrets are going to come out, then steps into the path of an ambulance, dying instantly.

Later Martinez comes up to Henry saying she got an e-mail to some digging on his background and he’s deceived her. How come he doesn’t have on his resume he graduated Oxford at the top of his class, Morgan says he didn’t want to seem like he was showing off.

Henry gets another video visit from Liz, she tells him that she closed all the gaps in his resume, his secrets safe from now on. As for her, she’ll stick to being Liz Chamberlain, she decided starting life over wasn’t for her.

The Story Continues Tuesday, March 24, at 10:00 pm on ABC.

Forever: The Theory Of Relatives


Photo Courtesy Of ABC/Patrick Harbron
Photo Courtesy Of ABC/Patrick Harbron

Warning: Spoiler Alert

Regular viewers of the ABC freshman series “Forever,” realize that they’re emotions will get a work-out each time they watch the show. Whether you sit there with your mouth agape, as many of us did when the show revealed Adam’s identity a few weeks back, or feeling rather warm and fuzzy at the end of this week’s tale, the crew knows how to push the right buttons. This week’s episode centered around family and finding lost relatives, starting with Abe who’s attempting to find out as much about his lineage as possible, after finding out his last name at the age of seventy.

However there were other relatives who connected in this episode and though everybody’s wishes weren’t fulfilled, some revelations would change people’s lives for the better. All that and Henry and Abigail’s Honeymoon in 1955, traveling on the Orient Express.

The graphic on the screen tells us we’re starting off at the Urkesh Consulate in Manhattan, a very busy office as two clerks stamp a never-ending line of visas, allowing Americans to travel to their country. Most of the people applying state their reason for heading to Urkesh, is to visit family or for business.

However, there’s an elderly man in the line, wearing an ill-fitting toupee and looking like his days are numbered. When he gets to the clerk, he tells her he’s going to Urkesh to die, the woman looks at the man and then his passport and sees his name’s Armen Aronov  her eyes get as large as pancakes. She excuses herself and walks into the man who runs the Consulate’s office and tells him he’ll never believe, who’s applying the visa and gives the man the passport, he’s just as shocked.

We next see the man in the park, sitting on the bench with a loaf of bread, feeding the pigeons, when a look of pain registers on his face. He clutches his chest, then falls off the bench, dying instantly. Mr. Aronov’s wish about dying in Urkesh, never came to pass.

Henry and Abe are eating breakfast, Morgan’s reading the paper when he notices that Abe’s reading the phonebook. It turns out that there are scores of people named Weinraub in New York, the name he found out was his birth name from Adam in the previous episode. He wants to start working on his family tree and tells Henry there’s a Weinraub that lives on Park Avenue. But then Abe apologizes and tells Henry he doesn’t need a family tree to tell him who his father is.

Detectives Martinez, Hanson and Henry’s assistant Lucas got called to the park for a possible homicide, however when Morgan arrives, Mike says that it looks like a false alarm. The man likely died of complications of lung cancer, Henry’s amazed until Jo told him that Aronov had a medical bracelet on and they spoke to the oncologist.

They’re about to wheel him into the ambulance when Morgan, notices a scar on Aronov’s abdomen and asks Lucas what he thinks it is. Lucas responds, looks like an old appendectomy scar, but Henry says look at the shape of it, then suddenly sees a scene with him operating and Abigail assisting. Lucas says it looks like he had a lousy doctor, Henry responds, perhaps the doctor didn’t have the proper operating theater, he says they’ll check out the body at the lab.

Our first flashback of the evening and we’ve joined Henry and Abigail on their delayed Honeymoon, on board the Orient Express. As they start to get amorous, Abigail asks if they can try having a baby and Henry says they’ve talked about it and it would cause him great pain to give birth to a baby, then watch his child grow old and die.

There’s a knock on the compartment door and when they open it, they see a large Eastern European soldier standing there, he says to Morgan doctor follow me. The soldier leads them to another car and a boy about ten, wearing a tunic’s groaning in pain and holding his gut. A quick exam and Henry says the boy’s got acute appendicitis and needs to be operated on immediately. They lay the boy out on a table and Morgan gets his tools and some starter fluid from the train staff, it contains ether to knockout the boy.

Henry asks the soldier where the boy’s parents are and the soldier says the boy’s very important and he’d better save him or else. Morgan says now that you threatened me, I deserve to know who he is, the soldier responds he’s the son of the King and heir to the throne of Urkesh. Henry puts the ether on the cloth and looks at the boy, then says courage, you’re the son of a king. The Prince is soon unconscious and Henry starts to slice his abdomen, when the train hits a bump, hence the shape of the scar.

Back in the present, Henry and Lucas are performing the autopsy on Aronov when we hear Jo say, we don’t allow victim’s relatives back there and a woman heads straight for the table, they cover Aronov’s body but leave his face visible. The woman’s Mrs. Aronov and Henry said her husband was from Urkesh and she’s surprised he’s heard of the country. Jo says she’s sorry for her loss and the widow says it’s the people of Urkesh you should feel sorry for, today they lost their King.

Morgan heads back to Abe’s shop and Abe’s got a blackboard with post-its all over it, he tells Henry he spoke to a cousin today in the city and he told him, that they’ve got a cousin who’s the dry-cleaning baron of Buffalo. He says perhaps he’s related to Charlemagne, Napoleon or Washington, Henry reminds him they weren’t Jewish.

The real reason Henry came to the shop was to grab a ring he gave to Abe after their Honeymoon, he tries to sneak it out but Abe catches him. He apologizes but says the ring belongs to the King of Urkesh and the sentimental value to the family’s priceless, he has to return it to its rightful owner.

Mrs. Aronov’s surprised to see Morgan at her door, he hands her the ring saying it belonged to Armen and now she and their children can have it. She says the couple wasn’t blessed to have children, then asks how he acquired it and he said he dabbles in antiques. She invites him into the apartment.

As they’re having tea, Henry says he realizes the question may sound odd, but did her husband had a good life? She smiles and says, one would think that if you were born heir to the throne, that person would resent it all their life. However Armen was just the opposite, he fulfilled all his dreams except for dying in Urkesh. Henry asked how he planned to travel receiving radiation therapy and the widow responds, her husband elected not to receive treatment. He starts to ask about the radiation, but then says he needs to go.

Morgan gets back to the lab to find Aronov’s body’s gone and he yells to Lucas where’s the King? Lucas says those guys took him and points to four men wheeling the body into the elevator. Henry tells Lucas to hold that car, Lucas steps in and make sure Henry gets in as well. After assuring the men he’s not reaching for a weapon, he pulls out a Geiger counter and the radiation in Aronov’s body’s at toxic levels. Morgan says all of them are getting irradiated and the men get out at the next floor, Henry brings the body back to the lab. The King died of poisoning.

Jo and Henry head to the Consulate and speak with the bureaucrat named Dasha, that runs the place. Martinez’s incredulous that they were unaware that their King was seven blocks away all these years and Dasha says he wasn’t my King. She says that he approved the visa and he says that’s because Urkesh runs by rules and regulations now, not a monarchy. He then excuses himself as he says he’s got work to attend to.

The pair head outside and soon see Dasha buying some food from a street-vendor, he nods for them to come over. He says he couldn’t speak freely in his office as they disapprove of talk about the King. He says Aronov asked him to expedite things and gave him a diamond the size of a grape, that seemed like a fair trade. However that’s all he knows. He then heads back to his office.

Back on the train Henry and Abigail, once again start getting into the mood, when there’s another knock on the door and the soldier’s returned. Henry asks if the boy’s okay and the soldier says he’s resting comfortably, then backs out of the doorway and in his place stands the King.

Henry apologizes and they both bow, but the King says you saved my son’s life I should bow to you. He then locks Henry in a very tight bear-hug. He says he doesn’t know how to repay them but at least have dinner with him and they smile and nod shyly. He claps his hands and about eight waiters enter the compartment, carrying trays of food and champagne.

Martinez calls Mike and asks if Lucas has identified the isotope and Lucas says its plutonium 210, Henry asks for the phone and asks what else was in his stomach, thinking he’s speaking to Lucas, but it’s Hanson who responds food. Lucas says it’s a stew with some gamey smelling meat, could be goat, Henry asks could it be yak and Lucas says he’s never had it, but sure. Henry then asks where a homesick man from Urkesh would get a great meal and Mike says A Taste of Urkesh, it’s on his credit card statement.

They head to the restaurant and asks the owner if he recognizes Aronov’s picture and he says no. Jo says he had lunch there two days ago, Henry asks him if he’s from Urkesh and the man asks what gave him away. Jo asks him his thoughts on the monarchy and the guy responds he’s an American he doesn’t think about the monarchy. Suddenly Henry’s Geiger counter starts buzzing as the metal bowl that the owner’s about to bring to the kitchen still has trace amounts of plutonium. Jo says he’s coming downtown.

Hanson and Martinez conduct the interview and Hanson says he knows the guy hated the monarchy, just admit that he poisoned him. The guy says if he knew it was Aronov he wouldn’t have poisoned him, that’s what women do, he would have stabbed him in the heart and told him to rot in Hell. Jo asks then who poisoned him and he responds, want you start with the young girl he had lunch with, maybe his mistress, green-eyes American accent. He says she was happy at first then got mad, started yelling and stormed out saying she was going back to her cage.

Back at the lab, Morgan examines the body with a blacklight and sees a temporary tattoo of a birdcage. Lucas tells him it’s the hottest club in town, called the Gilded Cage and he got turned away the week before. Jo asks Henry if he wants to go clubbing and off they go.

The hostess recognizes Aronov’s picture immediately, says they don’t get a lot of old people in the club, the apologizes to Morgan and Martinez. They ask if she knows a green-eyed girl he kept company with and she points to their cocktail waitress Lydia at the bar.

Turns out Lydia’s Armen’s illegitimate daughter given up for adoption and raised in foster care. He started coming in a few months ago, buying a soda nursing it all night then leaving huge tips. Then he told her and she was elated, he said it was a mistake to give her up and she’s special.

But the other day he started talking crazy, saying he was a King and he wanted to take me to his country and he had all sorts of presents for her there. Then he pulled out a diamond, but she knew it was too big to be real. Henry tells her everything her father said was the truth and she says, well now I’m an orphan again and has to go back to work.

Henry gets back to Abe’s shop and Abe’s on Skype, talking with his cousin from Scotland, Lachlan. Abe can barely understand his cousin, who’s a bearded red-headed giant sheep-herder. He says cheerio and has to get back to his sheep. Henry says he feels bad that he never had Abe interact with the Morgan family relatives and Abe says when your father’s immortal, family reunions are hard to pull off.

We flash back to 1955, and see Abigail’s sound asleep at the foot of the bed as the King says she’ll get upset that he bored her to sleep on her wedding night. Henry says they got married ten-years before, but this was the first chance for a Honeymoon. The King asked if children got in the way and Henry chuckles and says yes, one, our son Abraham. The King takes a ring off his finger and says a present for young Abraham, my father gave me this ring and his father to him, starting with the first of our line.

Henry says no you should give it to your son and the King says he doesn’t want to burden him, that’s why they’re on this trip to get his son out of Urkesh. He says I don’t want my son to be a King, I want him to feel free to do as he pleases. Henry asks the King what about him and the monarch says he’ll go back and face his fate. (He and the whole Royal Family got killed, only Armen survived.) He then wishes Henry and his wife luck and says good night.

Henry, Jo and Mike arrive at Mrs. Aronov’s apartment and Hanson doesn’t exactly handle the questioning all that diplomatically. First he asks if she’s aware his husband stepped out on her. She says it was 25-years ago, when she found out she couldn’t get pregnant she went into a deep depression. As she’s talking the hand holding the teacup shakes badly, which Morgan notices. Hanson then asks about her husband’s illegitimate daughter, which she had no idea about. Then Mike asks her if she killed her husband to stop him from taking his daughter to Urkesh?

Mrs. Aronov rightfully explodes, she says in another life she would have been a queen, does this look like a palace? She says she married Armen only for love, then pulls out a fistful of diamonds and asks if he thinks she’s worried about money. Then she blacks out and falls to the floor. Henry realizes she’s gotten poisoned. and pumps her stomach with a length of tubing. She survives the experience.

Jo and Hanson check the lock on the back door and note it got cut by bolt-cutters, there’s also ink all over the lock as the person who broke in had ink all over their hands and it’s the same shade as the ink at the consulate. Henry says it’s the person that stamps the visas at the consulate.

They head to the consulate but Dasha refuses to cooperate, he says he wishes he could help them just like the American girl who came in that day, claiming to be Aronov’s daughter. Morgan walks out, but Dasha says to Martinez she’s forgetting her paper, she picks it up and it has the employee’s file and picture in it.

They call Lydia and tell her to lock all the doors and windows, but it’s too late, the employee’s already inside. He starts strangling Lydia, but suddenly a baby cries. He says you have a child, she tries to stop him but he knocks her out with a punch to the head. He walks into the infant’s room pulls out a pistol and is ready to shoot him, when Martinez and Morgan burst in.

Henry puts the baby in the bathtub while Jo and the man exchange gunfire, Lydia becomes conscious, sees the guy warns Jo and Lydia’s shot in the abdomen, then Martinez kills the gunman. Henry rides in the ambulance alongside Lydia and she says she doesn’t want her son to grow up an orphan like she did. Henry looks at her and says courage, you’re the daughter of a King.

Lydia, survives the gunshot and Jo takes care of her baby while she recovers, Henry and her babysit at  the hospital for about four hours and Henry heads home exhausted.

When he gets home, Abe’s little-kid happy at his newest discovery, he found an ancestor and asks Henry to guess who. Henry says he’s far too tired for guessing games and Abe tells Henry, that Henry’s his ancestor. Henry’s Uncle Dennis fathered a child out-of-wedlock and so they share the same bloodline. Both are ecstatic.

A few days later Lydia wakes up in her hospital room to find Mrs. Aronov holding her son. The older woman says she hopes she doesn’t mind but he looks just like his grandfather. A new family’s born.

Henry’s voiceover as the episode concludes, summed things up well

The truth is each of us is related, it’s just a question of how far back you trace your family tree. Deep down, all of us have shared blood in our veins. And if we’re all related, then all of us have royal blood, which is why each son should be treated like a King and each daughter treated like a Queen. No matter how old our children may be.

The Story Continues Tuesday Night February 24, at 10:00 pm on ABC.

Cuba Gooding Jr. To Play Jo Martinez’s Boyfriend On Forever

Photo Courtesy Of Entertainment Weekly.com
Photo Courtesy Of Entertainment Weekly.com

Warning: Major Spoiler Alert

Rumors have floated for weeks that Detective Jo Martinez would gain a new love interest in episode 18 of the ABC freshman series “Forever.” Monday afternoon, “Entertainment Weekly,” reported that the NYPD detective portrayed by Alana De La Garza, will start keeping company with a man described as a wealthy philanthropist, named Isaac Douglas, played by veteran actor Cuba Gooding Jr.

Gooding will get introduced in the eighteenth episode of the season, as a possible murder suspect, but he’s cleared of all wrong-doing. The website states that Gooding will remain with the series in a multi-episode story-arc and become Jo’s boyfriend. There’s no word on how many episodes Gooding will appear on.

Series creator Matt Miller shows with this move, that he’s pulling out all the stops to insure that ABC renew Forever for a second season. While the series has topped the ratings of the three series that held the Tuesday night 10:00 pm slot before them, the network’s held off renewing the show for a second season.

Forever: He’s Been A Victim Too

Photo Courtesy Of ABC
Photo Courtesy Of ABC

Warning: Spoiler Alert

There are very few absolutes in life and the longer we live, the more we accept that nothing’s ever truly back and white, every situation and every human being has their shades of gray, we very rarely in our history, experienced pure evil, or pure goodness. Perhaps that more than anything else was the message expressed, as the ABC freshman series “Forever,” returned to the airwaves after a three-week hiatus. This episode concerned itself more with filling in the blanks of the back-story, putting the murders of the week on a back-burner, concentrating instead on revealing information about the characters, that fans have patiently waited to get revealed.

Some viewers likely felt unfulfilled that NYPD Medical Examiner Henry Morgan, walked out of the morgue near the episode’s conclusion, without giving Detectives Jo Martinez and Mike Hanson anything to go on, concerning an unsolved crime. I’m pretty certain that thread won’t, dangle for long, as Martinez and or Hanson will call Henry on it in the next few episodes. My intuition tells me, that this will start a cycle of events, that Henry can’t answer through the season’s storyline. The reason behind that ongoing complexity’s Morgan’s fellow immortal, the man we know as “Adam.”

I’ve decided to refer to the character that actor Burn Gorman portrays as Adam, rather than Dr. Louis Garber, as the man in this episode only looked the same as the Bellevue Hospital Psychiatrist. Even the English accent had disappeared, as all hints of the genial Garber, the concerned and empathetic doctor, that we met earlier this season vanished.

This episode focused on the Nazi’s march through much of Europe and their stealing of billions of dollars worth of ancient art, from their rightful owners. It’s the seventieth anniversary of the fall of the Third Reich and the Nazi death camps liberation, one of which Auschwitz, Abraham escaped from as an infant rescued by Henry and Abigail. It turns out that, there’s another connection with the concentration camps and revelations for Henry and Abe.

Abraham’s getting examined by a medical tech, for his insurance company renewing his policy, when Henry walks in. The woman says they need a family medical history, starting with his parents and Abe says that his parents died in Poland before he ever knew them. She looks at the tattoo on his arm and apologizes, then says she’s got all she needs and leaves.

Abe appears melancholy and Henry says they can check out the Holocaust Museum, but Abe doesn’t know his birth parents names. Without that he’s stuck in neutral, the phone rings and it’s Jo Martinez, summoning Henry to the scene of a homicide. Morgan enters the apartment and gasps, Martinez says she realizes it’s not pretty, but Henry says it’s gorgeous and heads right for a statue that he identifies as an incredible replica of the Venus of Andolini, the real one stolen from the Louvre.

Jo asks him to look at the body of the victim, instead of the statue and Morgan deduces that the victim an art dealer named Karl Haas, died from a blow to the back of the head with an object so heavy it left an imprint on Haas’ skull, a black-light shows that it’s a Swastika. Henry says that as the Third Reich grew they started marking all their property, he picks up the statue and he see’s the base’s covered with blood and engraved with a Swastika on the bottom, it’s the murder weapon and the actual Andolini.

Hanson and Martinez check on Haas’ background and they find out his father was a Nazi comandante, named Otto Heidrich and was the head of a task-force of SS troops who stole art treasures for Hitler during World War II. He changed his name came to the States with 100 works of art, died in 1980 and willed it all to Karl. Mike says that they’re both grave-robbers and got what they deserved. We find out eight pictures got stolen, seven, ripped from their frames, but one intact, that hung on a wall across the room.

Jo and Henry interview Karl’s son Erik and he says he and his father weren’t close and that his father always closed himself in his study or doing business when he was a boy. Martinez asks if she knew how his father acquired his art and the son responds, his grandfather had a small art shop in Germany and fled the Nazis. Henry and Jo quickly inform him, No, his grandfather was a Nazi and gives him the file. Erik says he won’t believe it, his father and grandfather were good men.

Our first flashback of the evening sends us to the Diogenes Club in London, in the year 1812, so it’s our initial time seeing Henry in his first life, other than briefly on the before he got shot. He’s greeted as he enters by an old friend John Chamberlain, who remarks he hasn’t seen Morgan in a while, Henry says his father was ill, but he’s recovered.

Chamberlain introduces Henry to Nathaniel Hawkes, visiting from the West Indies and Hawkes asks if Morgan’s connected to Morgan Shipping. Henry smiles and says it’s his father’s company and Hawkes proceeds to rip Morgan’s family apart for their lack of morals and says Henry’s father’s a slave-trader. Morgan tells Hawkes that he’s not involved in the family business, but his father’s an honorable man. He’d never engage in slave-trading and these men will back me up, but they all remain silent.

Henry goes through Haas’ possessions and says his shoes show signs of being recently at Brighton Beach. He then finds a pocket-watch, a precision time-piece and of course one of the few jewelers who could work on this watch has a shop on Brighton Beach.

Jo and Henry talk to the jeweler, an elderly man who says he doesn’t recognize the picture of Haas. Morgan charms his way in, saying you deal with plenty of faces, but few time-pieces like this and the man says, Karl’s dead. He gave Haas the watch as a present, for giving back an original Monet, that Heidrich stole from his family. Haas committed his life to reuniting families with the art his father stole. The shop owner then says in German, ” A good man apologizes for the mistakes of the past, a great man corrects them.” He says Karl Haas was a great man.

Back at Abe’s shop, Henry’s telling Abe about the case, when Jo calls and says the blood from the broken window in Haas’ apartment, didn’t show up in the criminal data base, but showed up in the Artistic Registry Network. The problem’s the match comes up with an artist named Max Brenner, dead for 20-years, but Henry says look for his son. Hanson and Martinez track down, Sam Brenner, who’s cutting up what looks like a deer while the blood splatters all over his canvasses and he calls it art.

Jo picks up a painting unlike all the others and Brenner claims he painted it, but Martinez shows him the Nazi marking and the two detectives take him downtown. Brenner admits to stealing the painting, but says Haas was on the phone arguing with another man in German while he stole it. The only word he understood was Rembrandt. Henry tells Jo that he believes Brenner, then he shows Martinez masterpiece, believed gone for good. Brenner created it in 1939 and entitled it Angel Of Death, right then Adam walks into Abe’s shop.

Adam’s looking to sell a sterling-silver tray, said to date back to 18th century England, Abe says he knows an expert of the period and if he leaves it with him he can give him a price. Adam says he’s only going to be in New York for a couple of days for business, but gives him a card and tells Abe to have his friend call him. As he’s giving Abe the card he notices the tattoo and says you were in Auschwitz. Abe tells him he’s correct, how did he know which camp? Adam tells him that certain camps had a symbol with the number, Auschwitz used a triangle and given that it’s under the number he was there in 1945. Abe’s taken aback and tells Adam he’s quite knowledgeable, he responds he’s somewhat of an expert.

Martinez and Morgan head to a Swiss Bank branch and speak with a man who’s a bank official named Julian Glausser, who was the man arguing with Haas on the phone, when Brenner stole his father’s painting. He says they discussed an auction, that Brenner wanted sooner. Henry’s confused and says he thought that Haas tried reuniting the paintings with their owners and Glausser says it’s complicated and takes them to a vault.

The vault’s filled with billions of dollars worth of art, stolen by the Nazis and deposited in the Swiss bank as they remained neutral during the war. They’ve attempted to reunite as many people as possible with their family’s art, but many times, there aren’t surviving relatives.

Which leads to our second flashback of the evening, this time Henry confronting his father and his father saying it’s complicated. Henry starts to walk out, when his father tells him business turned bad three-years before and the entire family estate was on the verge of bankruptcy, so he made some bad decisions. Henry says to his father that he’s always decried slavery, and his father cries he still abhors it. Morgan looks his father in the eyes, tells him he thought he was a good man and walks out.

Back in the present, Henry examines a piece of fabric and tells Detective Martinez that depending on how the canvas is treated can help identify the artist. Because of the way the canvass got treated, Morgan identifies it as a Rembrandt and says Glausser scratched his hands due to poison-oak. They head to the bank all the art and Glausser are gone.

Mike and Jo are trying to cover all their bases, to stop Glausser from getting all the treasures out of the country. Martinez says the Germans used ships and isn’t Hanson’s brother Anthony, foreman at the docks. Hanson calls his brother cursing out Martinez under his breath.

Henry heads back to the antique shop and asks Abe about the tray and he says a guy brought it in looking to sell and he told him he knew an authority. Morgan says you’ve got to see the family crest first, then his jaw drops when he realizes it’s the Morgan family crest. He asks Abe who the man was and what he looked like and Abe said an average guy, but he wore a tweed cabdriver cap, confirming Henry’s fears that Adam had been there. Abe then gives Henry the business card.

Henry meets Adam in a cemetery and he apologizes for his introduction, he really treated Henry badly and wanted to make amends. He said that tray wasn’t easy to find and he said he wanted to meet Abe, Henry says if you hurt Abe in any way, then stops as Adam smiles, realizing threats were meaningless. He then tells Morgan just as Adam and Henry have something in common, he has something in common with Abe as well, he found out Abe was in Auschwitz.

Morgan says he could have guessed Adam was a Nazi, but Adam tells him it was just the opposite. He was the prize project of Hitler’s head butcher, Dr. Josef Mengele, who experimented and tortured him endlessly, finding no key to immortality. He said he could never harm Abe and Henry apologizes for his suffering at Nazi hands. Adam says that since Henry’s on the case he’s looking for a knife they stole from him, from 44 BC. If Henry finds him let him know, he might have something in return. Morgan spits out there’s nothing he’d want from Adam, who responds, you’d be surprised.

Down at the dock Mike’s brother Anthony says he’ll help out the detectives if they make his parking tickets disappear and Hanson apologizes for sleeping with his prom date. Both granted, Hanson’s brother asks where they’d like to start and Jo says, how about the one that’s bleeding on me, on a crane above them. The crane lowered, the packing container’s opened, containing all the treasures and Glausser’s corpse, sliced from head to toe.

Henry believes that the two men were killed by two different people. He says that the murder of Haas was quick, one blow a crime of passion, while whoever killed Glausser, wanted him to suffer and he died a slow and painful death. He then notices that Haas’ eyelids are shut and he once more flashes back to the early 1800’s.

A couple of years passed and Henry’s father on his deathbed, calls for his son and Morgan arrives. His father’s thankful his son had yet to sail for America. Henry says that he sails in three-weeks and he’ll send for Nora, his first wife, when he’s settled. Morgan’s father says he has something to give him and Henry says he can’t accept, but his father gives him the Morgan family watch that had been handed down for generations. He then says that he’s made his share of mistakes, but attempted to learn by them. However, he did one thing right he raised a good man. Henry starts to respond, when he realizes his father’s passed and he closes his father’s eyes.

Morgan dusts the corpse for fingerprints on the eyelids and finds Erik’s prints. Erik admits to killing his father in anger as he gave a stranger a Monet, while Erik couldn’t pay his rent. However he says he didn’t kill Glausser, Glausser was selling the paintings for him.

A skin fragment got embedded in Glausser’s ring and Lucas runs a test and Henry asks if there are any matches, Lucas says not unless the perp had Bubonic Plague. He then says the skin sample tested positive for diseases, that hadn’t existed in centuries, as if the murderer was, Henry interrupts him and says two thousand years old.

Jo and Mike talk about Haas killing his father and Martinez asks about DNA results and Henry says they were inconclusive. Hanson asks about theories and Henry says he’s stumped and leaves the morgue, heading home.

Adam sells Abe the platter and when Abe goes to get a receipt, Adam leaves a brown paper wrapped package on the counter and leaves. Abe opens it and soon realizes it’s the roster records for Auschwitz. When Henry arrives, Abe says he’s reading about Herman and Reba Weinraub, Morgan asks who they are and Abe says his parents. He shows Henry the log and Henry asks where he got it and Abe told him the man who sold him the tray, he’s an Angel.

Henry informs him, that it’s Adam, but he’d tried making amends, he felt a bond with Abe due to the concentration camps. Henry says, that it’s hard to believe Adam could do something so kind, and Abe says but we learned something, he’s been a victim too.

They head to the Holocaust Museum and Abe asks if there’s information or possessions from his parents and the woman asks him his name and he says Abraham Weinraub. A box is in front of the pair and Abe says he didn’t think he’d be that nervous, he opens the box and it’s his parent’s wedding picture. Abe’s mesmerized and then says, well now we know where I got my good looks from.

The Story Continues, Next Tuesday Night at 10:00 pm on ABC.