“Look what they done to my song ma Look what they done to my song Well it’s the only thing That I could do half right And it’s turning out all wrong ma Look what they done to my song
Look what they done to my song ma Look what they done to my song ma Well they tied it up in a plastic bag And turned it upside down ma Look what they done to my song”
With one episode remaining in season five, and the show’s fate still unknown, social media’s been abuzz with chatter about the NBC series “The Blacklist,” after the season’s penultimate episode aired. Although to a person the show’s fans want to see their longtime favorite renewed, the grumbling among the fan-base’s has increased in volume. There are even those who have dared to pose the question, that’s known to make show-runner’s blood run cold, and remove any remnants of a tan. “Has The Blacklist Jumped The Shark?”
You likely weren’t born when the ABC series “Happy Days,” first broadcast the episode in 1977, that thrust the phrase into the American lexicon. In the show’s fifth-season opener, the gang from Milwaukee found themselves in Hollywood. In Fonzie’s quest to become the next James Dean/Elvis Presley of the silver screen, he put on water-skis, and literally pulled a stunt Evil Knievel, might have thought twice about.
The phrase eventually took on the connotation, signifying that a television series had peaked and was on the downward trend. Some series recover from that perception, another ABC series “Lost,” hit a rough patch until the show-runners and the network agreed on how long the series would run. There’s no definitive time period that a series exists after receiving that diagnosis. Some shows wither and die quickly, while others hang on for years, they are those series you stumble across while channel surfing, and you think, “is that still on?”
Let me state upfront that I’m not in the Jumped The Shark category, (a phrase from here on out that will be referred to as “JTS.”) However, I’ve got problems with the shows last two episodes in particular, and of season five in general. In season’s passed, we’ve experienced excitement and anticipation as each season’s finale approached. This year’s conversation’s morphed into, they better give me a reason to come back!
Season number five has progressed in fits and starts, beginning with a greatly needed light tone after all the loss in the previous campaign. However even in the season premiere, moments after watching Raymond dancing with Lizzie, we witnessed what we’d come to find was a flash-forward to the fall season finale. A scene that showed us a bloody and beaten Tom Keen, lying on the floor as Reddington and Dembe, burst through a door brandishing pistols.
The perceived reboot didn’t last for long. Reddington’s fortunes turned around quickly, ditching hand-me-downs and the Terra Vista Motor Lodge, and back to a manner he had grown far more accustomed to, Soon he lived in a luxurious suite complete with private elevator, and a personal chef named Paris. The episodes took on a darker tone, as Tom and Nik Korpal undertook a mission that would ultimately cost them. trying to identify the bones in the suitcase Kate dug up from Tansi Farms. The tone of the show would be altered irrevocably, to the cheers of some and the tears of others.
We’ll have time during the Summer to debate whether killing off Ryan Eggold’s character turned out to be a good move for the series. (I recently read Jon Bokenkamp, respond to a question if Tom would return, saying that the show’s had other character’s seemingly return from the dead. Any move like that would destroy the series’ credibility, no matter how popularly it could be received. You made your move Jon, now you live with the ramifications of that decision.)
File this if you like under pet peeves, but the series took a ten month jump in time when Elizabeth emerged from her coma. Given the extent of her injuries, it’s likely it took her at least eighteen months, for her to get into the shape she was in when she journeyed to Alaska. Agnes was a baby in a high-chair, unable to talk when Tom confessed to her about his role in identifying the bones. However she appeared to be about four, or five, when Keen left her with Scottie Hargrave. How could the date of the paper reporting Maybelle being found have been May, 2018? The Blacklist Universe should be somewhere in the midst of the year 2020, not in-sync with our reality. Continuity’s vital to maintaining a story, something the writer’s seem to have forgotten.
Since the show returned to the airwaves in January, we’ve watched a young woman who felt such remorse over the harbor-master’s death, that she sold her condo and anonymously gave the money to his widow and daughter, turn into a heartless killer. While Elizabeth Keen was hardly a babe in the woods when we met her, she’s evolved into “DIRTY LIZZIE,” a cross between Clint Eastwood’s Harry Callahan, and Charles Bronson’s “Death Wish,” character.
We could understand her going all vigilante, and taking out all four of the hitmen that she encountered in Alaska, and she accidentally killed Bobby Navarro, in self-defense. However she went way over the top when she utilized the “Stew-Maker’s” methods, to dispose of Navarro’s corpse. We’ve watched Donald and Harold wrestle with their dark-sides, Ressler even employing Henry Prescott, but when push came to shove, they reverted back to form. Keen can never come back from that decision.
The show writer’s seem to have lost the consistency which among other qualities, made this series’ beloved by its fans, especially during the first three seasons. Season four’s scorched earth battle between Mr. Kaplan and Reddington, didn’t sit well with many fans, and this season’s sometimes glacial pace has turned many longtime viewers off. After revealing Ian Garvey’s a dirty cop in February, what have we learned other than Garvey’s declaration to Jennifer Reddington, that she spent a lifetime hiding for no reason?
We head into the fifth season finale, essentially trying to fit a ten-pound sausage into a five-pound casing. Suddenly after months of stagnation Season Five Episode 22, has become “Cliff-Hanger Central.” Who is Sutton Ross, and what’s his connection to Garvey and Reddington? Will Samar Navabi emerge from her coma and get her “Happily Ever After,” with Aram? Will Aram face charges in the death of Nicholas T. Moore, or will Harold look the other way? Is Naomi Hyland actually dead, and if so why didn’t Reddington know about it? Is Lillian Roth, indeed Jennifer Reddington, and if not, what was her connection to Garvey?
Why’s Keen whose only objective was to avenge Tom’s death by killing Garvey, now interested in the contents of the duffel bag? Will Raleigh Sinclair and Anthony Pagliaro serve time for the death of Zarak Mosadek? Will we encounter Dominic Wilkinson in the episode, and will he reveal to Keen he’s her grandfather? We haven’t even mentioned the identity of the bones that Ross now apparently has.
Has this confluence of events, been Jon Bokenkamp’s master plan all along? Has the basis of this series always come down to what’s going on between Lizzie and Raymond? Will The Blacklist members turn out to be as anti-climactic, as the numbers on “Lost“? Was the concept of this series always just about whom Raymond Reddington actually is, and the role he’s played throughout Keen’s life? Jon’s often times mentioned his BIBLE, the framework a show-runner puts together, before they begin writing an initial script. I often wonder just how much he’s adhering to it?
It’s likely foolish to expect all the questions I posed here, in one episode. However at the very least, fans deserve to know Raymond’s secret before the series, goes on Summer hiatus. I’ve anticipated that they’d hold off revealing that the Real Reddington’s bones are in the duffel bag, and that we’ll finally find out “OUR RAYMOND’S,” real identity, as Etta James would say “AT LAST.”
Season Five Concludes Wednesday May 16, at 8:00pm on NBC.
With just over a month remaining in 2015, it looks like it’s a pretty safe bet to declare the new Netflix series “Jessica Jones,” as the best television event of the year. Marvel Studios and ABC Productions have shattered the Comic-Book Movie Genre with a creation that defies boundaries and expectations. This production’s light-years from the Avengers or the X-Men films, it’s not a family friendly blockbuster filled with special-effects and wall-to-wall violence (although this series does not lack for violence.)
Jessica Jones is a suspense/thriller that just happens to have characters with superpowers in the story. It’s a cat and mouse game in which the cat and mouse eventually change roles and a character searches for redemption in all the wrong places. It’s more of a cross between the former FOX series “The Following” and “The Silence Of The Lambs” with a dollop or two of Heath Ledger’s Joker thrown in for flavoring. You can’t put this in the same category as “Captain America Civil War,” which is a win for all as boundaries get dissolved and stereotypes get broken.
Nobody’s going to claim that Jessica Jones is in any way a role-model, however she’s a very strong symbol for female empowerment. Krysten Ritter the actress that portrays her is destined to become a huge star and this will likely prove to be her breakout role. Ritter’s a strikingly beautiful woman with a signature look and plays the character with an almost ever-present sneer on her face. Some smart Hollywood executive should be actively pursuing a deal to team her and Amy Acker in a re-tooling of Lethal-Weapon. It would become a huge gender-bending series and may open some eyes in Hollywood about expanding action roles for women.
The story’s based on a graphic-novel entitled Alias, that Marvel released through one of their comic-book lines aimed at adults and from my brief knowledge of the publication it’s far more graphic than the Netflix production. These characters have healthy sex-drives, but the production stays away from nudity and the coupling some times seems more like gymnastics than sex. Although violence is a constant in the show it’s comparative to a broadcast-network crime-drama’s and tamer than some.
The series could be rightfully titled “The Restoration And Reclamation Of Jessica Jones,” as the woman we meet at the onset of the series is just trying to make it through each day with a lot of help from her best friend Alcohol. She’s going through the motions as a private investigator, setting up part of her apartment as an office. The Jessica we first encounter’s a victim filled with self-loathing and seeing nothing but pain and ugliness everywhere she looks. It’s got nothing to do with her location it’s the demons inside her head that control her perception.
Jessica would be the lone survivor of a car accident that took the lives of her parents and her younger brother as a tween. This resulted in her being treated by some mysterious lab leaving her with super-strength and the ability to jump pretty high and far (although she tends to land awkwardly.) She also got adopted by the mother of one of her classmate’s Trish Walker, in a publicity ploy to get some goodwill from the audience of Trish’s sitcom “Patsy.”
Dorothy Walker’s the consummate “Stage-Mother From Hell,” constantly manipulating and abusing her daughter. The two girls form a lifelong bond not long after Jessica moved in with the Walkers, when Jessica stopped Dorothy from abusing her daughter by picking her up and throwing her against a wall like a rag-doll. Dorothy’s never forgiven her adopted daughter for that indignity, telling Jessica that her decision to adopt the girl had been the worst choice of her life.
As the girls become adults, Trish becomes one of New York City’s opinion-shapers hosting a highly rated daily radio talk-show, while Jessica goes through a series of menial jobs that are clearly beneath her. Walker’s always tried to convince Jones to use her abilities to help people in the guise of a superhero. Jessica rejects the spandex costume and name that Trish wants her to use, but comes to the aid of a young man when she sees him being beaten by three other guys one night on the street.
She easily takes out the trio and starts to tend to the victim when a rather dapper Englishman with a beautiful woman on each arm starts applauding her actions and calling out bravo. The man’s known as Kilgrave and he’s also gifted with abilities, he can get anybody to do anything he requests just by saying it, however he uses his abilities for nefarious purposes. He’s enchanted by Jessica and takes over her life for the next six-months via mind-control, effectively becoming the psychopath’s unwilling puppet.
The bond between controller and subject breaks when Kilgrave orders Jones to kill a woman who just provided him with a flash-drive buried underground in a steel box. Apparently Jessica’s mind snapped when she took the other woman’s life and started walking away from Kilgrave, who was so focused on commanding her to return he failed to see the city-bus that ran him over and seemingly killed him.
Suffering from PTSD and an experience that if she shared with doctors or law-enforcement would land her either in prison or a mental-hospital, Jessica attempts to rebuild her life as a gumshoe in Hell’s Kitchen. Most of her clients hire her to investigate their wives or husband’s to see if they’re stepping out on them, which often times lead to pretty angry clients when she confirms their suspicions.
The parents of a college coed and aspiring track star Hope Shlottman hire Jessica to help find their missing daughter who seems to have fallen off the face of the earth. Jones doesn’t take long to locate the missing young woman but she also discovers that Shlottman happened to be the latest plaything for Kilgrave. The psychopath also planted a goodbye present within Hope a command to shoot her parents to death upon their reunion. Shlottman’s immediately imprisoned for patricide and Jessica’s forced to deal with Kilgrave once again in order to clear Hope’s name and save her from a lifetime in prison.
The man that Jessica saved from the beating the night she first encountered Kilgrave, Malcolm Ducasse now lives in the same building she does and he’s dropped his dreams of being a social-worker, trading them for what lies at the end of a syringe. We’re also introduced to a dysfunctional brother and sister who appear to be in their early twenties as the sister Robin berates her brother Ruben loudly enough that it resonates throughout the entire building. Jones takes a trip upstairs to tell them to lower the volume and Robin looks upon her from that point onward as her mortal enemy while her brother crushes on Jessica hard.
Turns out that there’s a connection between Kilgrave and Malcolm as the Englishman’s not only controlling his mind, he’s supplying Ducasse with his daily fix making Ducasse doubly dependent on Kilgrave. In return Malcolm supplies him with a daily array of snapshots of Jessica. We find out in one scene that Kilgrave possesses hundreds if not thousands of shots of Jones just going about her business in the city unaware she’s being photographed.
Jessica makes the connection and she’s able to follow Malcolm to his meetings with Kilgrave in public venues, that Malcolm doesn’t even know the destination of until he’s told by some stranger from the street that Kilgrave ordered to contact him. Jones, Trish and Walker’s “Friend With Benefits” Will Simpson, attempt to take Kilgrave by surprise and imprison him until he agrees to clear Hope’s name. However their plan falls apart as Kilgrave hired a private security firm to protect him and they grab Kilgrave back.
It does however result in an uneasy truce between Jessica and Kilgrave, starting with an agreement that he’d stop controlling Malcolm in return for Jessica sending him a selfie every morning. Jones handcuffs Malcolm in her toilet and forces him to go cold-turkey to beat his addiction. She saves him once again however as Ducasse stays clean and he becomes perhaps the piece’s most empathetic character. After all that he experienced Malcolm still just wants to help other people.
Kilgrave’s convinced that he can get Jessica to love him without using any of his abilities. He buys her childhood home and recreates it to look exactly as it did when she left it before the accident that took her family in 1999. He assures her that he won’t use his mind-controlling powers on her at all, but if she hopes that he cooperate to gain Hope her freedom she has to agree to live with him willingly in the house. Jessica has some ground-rules such as he’s never to touch her but agrees to move in.
Jones actually gets Kilgrave to stop a tragedy in the making from happening in heroic fashion, as he orders a father and husband that’s holding his wife and children hostage with a rifle to let his family go and surrender to police. Kilgrave actually gets a rush from the look of gratitude he received from the mother after he saved her family. He proclaims that Jessica and he will become a team and he’ll become a hero.
Jessica brings back some takeout Chinese food back to the house to celebrate the days events and insists that the chef and housekeeper that Kilgrave has on staff join them for the meal. Jones’ laced both the chef and the housekeeper’s food with sedatives and when they collapse at the table she takes Kilgrave by surprise and knocks him out with a heavy anesthesia drug. When he wakes up he finds himself in a hermetically sealed room that cuts off his powers to the outside world. Jones has also installed what she refers to as a kill-switch, covering the room’s floor with water that comes up to Kilgrave’s ankles and a button that she can hit zapping him with enough electricity to send him to the floor shaking like a bowl of Jell-O.
We learn that Kilgrave acquired his powers through a series of experiments conducted on him when he was just a child in England. Albert and Louise Thompson a pair of highly trained scientists attempted to save their son Kevin from some mutation that left untreated would have according to them, left their son brain-dead at the age of twelve. Instead they introduced viruses into his system that kept him alive but the torture he went through as a child was horrendous. The experiment resulted in Kevin emitting a virus to all those around him forcing them to do what ever he wished, a very scary power for an angry ten-year-old boy who suffered through a nightmarish childhood to possess. He forced his mother to scorch her face with a hot iron after she yelled at him and the incident convinced Albert and Louise to abandon their child and run as far away as possible.
What ever moral-compass that Kevin would have retained had his parents stayed with him vanished when they did and the boy used his abilities at first to survive. To get enough food to last him through the day and a proper place to rest his head at night. However as he grew older his appetites grew with him, without anybody strong enough to refuse him took what ever and whom ever he wanted until he tired of them and then onto his next conquest.
Jessica locates Albert and Louise Thompkins and convinces them to go with her to see their son. Albert’s reticent at the thought to say the least but his wife convinces him that their son’s their responsibility. Jones secretly hopes that Kilgrave seeing his parents once again will cause him to lose his mind. However because of conflicting agendas of some of the characters, Kilgrave once again regains his freedom after ordering his mother to stab himself to death and for Albert to cut out his own heart.
Kilgrave got badly wounded in the exchange, stabbed and then shot in the same shoulder. He orders Jones’ attorney Jeri Hogarth into driving to the medical practice that she’s got the most confidence will keep this story from ever being know. Jeri drives to the home she shares with her soon to be former wife Wendy whose a physician and although the tension’s so thick in the room you could cut it with a chainsaw, Wendy patches Kilgrave up. Jeri’s intent in bringing Kilgrave to her home was to get him to “persuade” Wendy to sign divorce papers, but when the doorbell rings the psychopath orders Wendy to kill Jeri by stabbing her five thousand times and flees the scene. Wendy’s stopped and killed when Jeri’s secretary and girlfriend cracks her skull open with a stone figurine.
Kilgrave “persuades” the New York City District Attorney and a Judge to clear Hope of all the charges and Jessica’s to pick-up the college student when she gets released the following morning. However an incident occurs that keeps Jones from getting there on time and Shlottman once again falls into Kilgrave’s hands. He contacts Jessica to arrange a trade, he’s willing to give Jones the college student in exchange for his father. However Hope’s so intent on getting Jessica to terminate Kilgrave, she takes her own life by stabbing the stem of a wine glass into her throat.
No longer having any reason to restrain herself this sets up a fight to the finish between Jessica and Kilgrave. The psychopath becomes even stronger and more powerful and soon he’s able to control the minds of scores of people simultaneously. How does Jones defeat this demon, save New York City and the planet and regain her self-esteem in the process.
The role seems tailor-made for Krysten Ritter as she inhabits this character’s skin and lets us see beneath the bravado and snappy comebacks. We discover a woman who refuses to cut herself any slack for her actions while under Kilgrave’s control. One gets the feeling that Jessica would consider it a weakness to take herself out to end all her internal pain, but she would consider death a welcome relief from he daily battles against internal and external demons.
David Tennant does a superb job in the role of Kilgrave, many would have played the part broadly and bigger than life throughout the production. Tennant however plays Kilgrave as refined and a proper English gentleman, so the moments when he does chew the scenery pop and make an impact. Tennant plays the psychopath as charmingly as he portrayed the Time-Lord from Gallifrey, however without any of the whimsy and one can see the contempt bubbling under his skin.
Carrie-Ann Moss looks far more matronly than she did in the Matrix Trilogy and she’s far from being in fighting shape. However she still evokes fear from others in her portrayal of high-powered attorney Jeri Hogarth, a woman that’s every bit as evil and self-centered as Kilgrave. However she’s learned to play the system to make up for her lack of super-powers.
Mike Colter got introduced to Marvel fans as Luke Cage, a man with unbreakable skin and incredible strength who chooses to keep his abilities hidden from most. Jessica and Cage discover each have super-powers when they team-up in a bar-brawl which leads to a powerful sexual attraction between the couple after the fight ends. Cage’s story will be the subject of the next origin story that Netflix and Marvel present and he seems to be a pretty intriguing guy.
Eka Darville may bring the most humanity to the screen in the role of Malcolm. For the first half of the story Malcolm’s a member of the Walking Dead, he seems more like a piece of furniture than a person. However Malcolm makes the most of becoming clean and sober. He becomes one of Jessica’s staunchest allies and he believes in her even when she’s stopped believing in herself.
Jessica will be one of the stars of the Defenders along with Luke Cage and Matt Murdock, a production that’s scheduled to reach homes sometime in 2017. Halfway through this series, I wondered exactly how the creators of this story expected Jessica Jones to become a heroic member of the Marvel Cinematic Universe. There was no doubt that she had the physical skills to take on all comers, however was she strong enough mentally to overcome her self-doubts and to help others fight injustice? Jessica Jones answered the question to my satisfaction with this voiceover as the series concluded.
“They say everyone’s born a hero but if you let it, life will push you over the line until you’re a villain. Problem is you don’t always know always know that you’ve crossed that line. Maybe it’s enough that the world thinks I’m a hero. Maybe if I work long and hard, maybe I can fool myself.”