Brandon Routh

All posts tagged Brandon Routh

Courtesy of The CW/DC Comics

Courtesy of The CW/DC Comics

Warning: Spoiler Alert

We begin tonight, still in 1975. This time Finland 1975. Despite Aldus’ passing, he did leave behind his Vandal Savage little brown book. Rip thinks Savage may be in Finland. Kendra and Carter inquire as to why they can’t simply go back in time and save Aldus. Rip seems to take some level of enjoyment giving them the ‘Doc Brown’ explanation on just how easily time can fold over on itself by messing with events they were directly involved in. His pleas fall on deaf ears and his sense of control falls apart as well once Rip realizes his deception was not a small thing.

There is a meeting of rather unsavory characters, terrorists and a like meeting with Savage. The unorganized version of the Legends of Tomorrow attempt to infiltrate that meeting. Cold leads with his by now typical flair, the door man isn’t buying it. Once he sees this, Stein walks over and using his knowledge of world history and I assume channeling some sort of bad spy movie, Stein gets in the doorman’s face and gains entry. Actually a very satisfying moment for Dr. Stein.

Heat Wave (whispering to Stein): You’re a special kind of crazy. And I like it.

Cold believes this will be a quick snatch and grab. To this point no sign of Savage. The MC of the festivities gets everyone’s attention as Vandal Savage walks onto the stage. Savage is not a buyer he’s a seller. The bidding begins for a nuclear warhead when Savage gets that tingly spidey sense that alerts him to Kendra and Carter’s presence. In the concern to maintain their cover, Heat Wave fires his gun in the air signifying a bid. 120 Million dollars. No one else bid.

A minor fracas begins when Heat can’t keep his attitude to himself. Savage comes over to defuse the situation and looks to Stein. The question of payment comes up and Stein quickly makes it apparent that he doubts the warhead is operational. He did slip up by using the term “in this era” which naturally peaked Savages intrigue. Savage mounts the stage again and offers a 25% discount to any group that takes down our team. It doesn’t take long before Heat Wave begins burning stuff. The battle cry as it were that signals the rest of the team to spring into action.

The Hawks approach Savage with their ultimatum. He activates the warhead. Atom shrinks and flies into the warhead triggering a fail-safe that drops the clock down to :30. Firestorm (merged) grabs the warhead and flies it to a safe distance then waits for it to go off so he can absorb the nuclear energy. Not all is well as a piece of Atom’s suit fell off during the fight. When they get back on the ship, Rip grandstands about the colossal damage they have already done. That one little mistake causes Savage’s men to develop a weapon and control with chaos Central City circa 2016.

Two new important details arise almost simultaneously. One, Aldus was carrying an article about an Egyptian dagger. The same dagger used to kill Kendra and Carter in their first life. Use it while reading the incantation inscribed upon it and take out Savage. Two, Atom’s suit piece is made up of a material that is easily tracked by 2016’s standards. Luckily Dr. Stein was education his 25-year-old self in just that field of study. Current Stein plans to visit 25-year-old Stein.

Cold, Heat and Atom venture out to steal the dagger. Atom thinks he knows what he’s doing until Cold and Heat inform him he just tried to hack a dummy box security system access panel. Despite the guards quick response time, they gain access. Inside they find the dagger relatively quickly. Cold and Heat’s agenda don’t exactly jive with Atom’s. Atom thought they were there to retrieve the dagger. Cold and Heat were there to steal whatever they felt like. There little tissy caused a metal cage to trap them with the ‘goodie’ they haven’t yet stolen.

Jax and Sara are blown away that Dr. Stein was ever ‘cool’. They enjoy younger Stein. After turning down a ‘hit’ from younger Stein’s ‘doobie’, young Stein leaves to secure some cookie dough. Old Stein finds the Alpha Particle Tracker just as young Stein finds him holding it. Young Stein quickly lets it be known that he and his considerable intellect don’t buy the trio’s cover story. Old Stein gives a story about a profile in a prestigious magazine. Then Sara hits young Stein over the head knocking him out.

The tracker takes Stein, Jax and Sara right to the tech. Then Sara dismantled what little defense they had and steals the tech almost literally like candy from a baby. There is a significant problem. Young Stein did not go to the mixer he was set to attend. Without going to the mixer, he doesn’t meet his future wife. Aboard the ship, old Stein notices his wedding ring vanish. Then young Stein walks onto the ship demanding an explanation.

While Heat tries to locate the fuse box to reverse the cage trapping Atom and Cold the homeowner arrives home. Its Vandal Savage. There is the witty back and forth one would come to expect with this good vs evil vs still kind of evil but playing on the side of good. Savage finds one of their coms and invites them to call their friends.

Firestorm arrives first and knocks Savage out. They meet up with the ‘Hawks’ outside. They hand over the dagger to Carter. Once again, as if they were telegraphing what won’t happen on purpose, they keep saying something to the effect of “let’s end this now, once and for all”. Which would make for a very short television series.

Savages men descend upon the property with big numbers while the ‘Hawks’ tend to Savage himself. Inside is a 2 on 1 fight that still seems to be favoring the 1, while outside is superhero destruction. Carter gets Savage in a compromised position. With the dagger in hand he recites the poem that Kendra had to translate, he stabs Savage. It doesn’t take long to discover that Savage is just toying with them. It was Kendra’s knife so Kendra has to wield it. Savage in turn stabs Carter. Carter looks at Kendra and says, “come back to me” before he dies in her arms. Kendra fights back but poorly. Savage stabs her in her side while delivering a nice monologue about the circle of death that imprisons them both. Before he can finish, he’s blasted out of the room.

The team gets Kendra back on the ship and Gideon begins working on her injury. Then that’s where Kendra goes hysterical. Rip talks her down until she falls asleep, rather quickly actually. Due to her condition, the ship cannot time jump for fear of worsening Kendra’s condition. In the meantime, Rip has something he’d like to show Dr. Stein. They return to the campus where young Stein spends his time. Rip made a call and convinced young Stein to keep his Faculty Mixer obligation, where he would inevitably meet the future Mrs. Stein.

They return to the ship and Rip puts the future of these Legends of Tomorrow in their own hands. Contrary to how the team felt early in last week’s episode, all are in complete agreement. Atom of course is on board as he can’t accept a life that doesn’t impact others. Both halves of Firestorm are voluntarily on board. And even the death of Carter seems to bring this group together. And even Cold adds his two cents with a little clever wordplay just for good measure.

Captain Cold: Look, we didn’t know Carter from Adam (Atom). But if you take out one of my crew, you’re going to pay the price.

With one strong display of solidarity, the team seems unified. And all of their mistakes not withstanding, Dr. Stein looks to Rip Hunter and as if he were speaking for the entire crew restored command control to Rip. “Where do we go next, Captain”.

Courtesy of The CW and DC Comics

Courtesy of The CW and DC Comics

Warning: Spoiler Alert

The newest inception of a Superhero narrative begins tonight with the series premiere of DC’s Legends of Tomorrow. If you’re one of the few uninitiated, Legends of Tomorrow is essentially a spin-off from both Arrow and The Flash, with what I at least hope will feed some very epic crossover episodes. The Atom-Ray Palmer, Sara Lance, Firestorm-Dr. Martin Stein and Jax, Captain Cold-Leonard Snart, Heatwave-Mick Rory, Carter Hall-Hawkman, Kendra Saunders-Hawkgirl, and Rip Hunter will plan to bounce through the fabric of time and space doing whatever they can to prevent Vandal Savage (an immortal and the bad guy) from becoming the villain he is to become.

Our story begins in London in the year 2166. Vandal Savage has journey through human existence acquiring skills and knowledge along the path of world domination. In 2166, he has conquered the known world. Our first glimpse into his terror comes at the field execution of a seemingly innocent mother and her son, Jonas. A relative Time Lord (Time Master in this realm) by the name of Rip Hunter does his level best to convince the Time Masters Council that he be granted permission to travel through time and change history when necessary to prevent Vandal Savage from reeking the havoc they know he will.

Rip boards his ship and we see our first crossover element. Rip doesn’t need a crew to fly his time ship, only a singular consciousness. Gideon. What follows is a series of short segments showing Rip ‘recruiting’ the previously mentioned team of eight. While Rip speaks with a certain gravitas, not all eight are on board.

As predicted Captain Cold and Heatwave (criminals in their own right)reject the idea of being heroes on spec. Jax, the youngest and newest hero, is logically hesitant. Hawkman and Hawkgirl are in based on their tie to Vandal Savage. Going back to a previous Flash episode, Carter and Kendra were the source of Vandal’s rage centuries ago. He must kill them, but due to a spell from Kendra’s previous self, they reincarnate every time he kills them. It begins to look grim when Rip pulls out the big guns.

Rip: I know its difficult for you to fathom but where…when I come from, the year 2166, you, everyone on this roof aren’t just considered heroes. You’re legends.

The not quite team has six hours before making their decision and meeting up with Rip, they individually try to come to grips with the weight of this venture. Ray is absolutely on board. He died once already (well, not really) and was instantly forgotten. He would like to leave an impact on the world. Kendra who can’t remember any of her previous lives, is scared. Assuming that Vandal is unbeatable, she is ready to run. Carter convinces her otherwise. White Canary and Black Canary spar while Sara explains to Laurel the proposition. Laurel convinces Sara to become take the mantle of the White Canary. Heatwave and Captain Cold were a little easier. They could bounce around time stealing things without the pesky nuisance of technology to stop them. The most difficult of all is Jax. He wants no part of this. So Professor Stein decides to go without him and offers a toast and a drink. Predictably, Jax passes out from whatever Stein slipped in his drink.

At the rendezvous point our team that isn’t yet, look around to find nothing. Ray even suggests they’ve been punk’d. Then Rip emerges and reveals his time ship. The imagery is shades of Star Trek IV when they decloaked the Klingon Bird of Prey. “It’s called the Wave Rider”. Inside, Rip explains that they cannot find or track Vandal, but they will travel to the man who can. A man with a unique connection to all of this, Dr. Aldus Boardman.

They catch Dr. Boardman asleep at his desk. He stirs awake but before he can wipe his eyes, he immediately recognizes two of the eight. Calling them by their original names, Dr. Boardman knows exactly who Kendra and Carter are. His mother and father from a previous incarnation of themselves. Dr. Boardman explains how Vandal Savage lurks in the shadows of nearly every bad event in human history. Nazi Germany, the Kennedy assassination, and on. Rip interrupts the story to suggest that Dr. Boardman is aware of Vandal Savage’s current whereabouts.

Dr. Boardman: I have an educated guess.

Sara Lance, Snart and Rory decide to enjoy a little of the 1970s. They aren’t in a bar two minutes before Sara decides to let off a little steam. Dancing alone in this dive bar, a large biker walks over and tries to ‘suggest’ she join him in the parking lot. What follows is Sara, Snart, and Rory taking out the entire bar. Outside, Jax tries to convince Gideon to take him back to 2016. As she rejects his idea, the Wave Runner begins taking on heavy fire from a bounty hunter named Kronos.

The team arrives just before Kronos gets tor breach the ship. Stein makes a move to enter the ship to merge with Jax. Kronos is getting of many shots as the team was not prepared for a fight. Kendra and Carter are the only ones in costume. Stein gets to Jax in time but now, Kronos is bearing down on Rip. At the last possible second Kronos gets tagged by a red muscle car.

Snart: We go out for one lousy drink you manage to pick a fight with Boba Fett.

Kronos gets to his feet as Firestorm and Atom emerge. Kronos is able to hit Dr. Boardman but that’s about it. On board the ship, Rip rants and raves about the colossal missteps that just occurred. Kendra ends that pretty quickly with a right cross and a demand of the truth considering her son is hurt because of this latest time jump.

It turns out that Rip ‘was’ under the employ of the Council of Time Masters. Kronos is one of theirs. The fabric of time and space is fragile. As it were, Rip lied about his standing with the council and the whole ‘legends’ part. He chose these eight because a hundred years from now, their lives will have no impact on the timeline. Still, Ray pushes further, suggesting there must be a more personal reason for this quest. Against the wishes of the council, Rip fell in love with a woman and they had a son. A son named, Jonas.

Rip shares his pain and its in abundantly clear that not everyone is willing to turn a blind eye and automatically return to their lives. It will take time. Dr. Stein suggests they weigh their options which is convenient since the ship must be repaired and a time jump would not be advised until Dr. Boardman stabilizes. Despite their initial instincts, all members of the team decide to stay on. If in some not so small measure to change their futures. Be the heroes (or villains) that would affect the timeline.

This moment is not without loss though as Dr. Boardman has passed away. Gideon plots a course to find Vandal based on a theory by Dr. Boardman. Meanwhile in Norway 1975, we see Vandal and his men secure a nuclear warhead. See how this pilot episode two parter concludes next Thursday here, at NJATVS.

Courtesy of ABC Family, Hallmark Channel and Lifetime

Courtesy of ABC Family, Hallmark Channel and Lifetime

ABC Family, Hallmark, and Lifetime Need To Refocus And Get Back
To Quality Christmas Movies Without Agenda.

 
This is the time of the calendar year when new, live television is hard to come by. My generally jovial disposition and affection for the holidays naturally lends itself to cranking out Holiday and television related articles. However, not every holiday season is created equal. Now sure, you put up a tree (or other specific decor) every year. You make and consume a fair amount of the same foods every year. There are even can’t miss traditions that happen every year. But each year is not created equal.

One of my many traditions is that I watch nothing but holiday/Christmas programming from the week of Thanksgiving through the end of December. Now there are shows that I cover for this website and as long as they put out new episodes, of course I will watch those. Outside of that, Christmas all the time. I don’t watch late night talk shows, documentaries, mini series’, news magazine shows, if it’s not scripted new episodes or Christmas tv/movies, it can wait until January. On top of that, I have a stable of Christmas movies and music loaded on my mobile devices. I really don’t have any need for anything else, but as I said, not all holiday seasons are created equal.

Every year you can count on Miracle on 34th Street, It’s A Wonderful Life, Christmas Vacation, Home Alone, Scrooged, A Christmas Carol, and of course 24 hours of A Christmas Story. Those a great, literally. Those are first ballot Christmas Movie Hall of Famers. Television networks pay good money for the rights to air those. The question is, “What do you do with the other 90% of the Christmas viewing time?” You find other, non-classics, holiday movies on television to enjoy. Some of them are cheesy, some are heartwarming, some are cute and some are just flat-out bad. Over the years though, by and large, the made for TV holiday movies are pretty good on the whole.

2013 is a great example. In 2013 Hallmark Channel really began to separate itself from the Holiday network pack. In one season, Hallmark released A Very Merry Mix Up, Catch A Christmas Star, Fir Crazy, Hats Off To Christmas, Let It Snow, Snow Bride, The Christmas Ornament, and a personal favorite Window Wonderland. Window Wonderland I would put on any Christmas Movies list, regardless of status, budget or type. That same year ABC Family put out a couple new-made for TV movies but none to the level of what Hallmark was doing. Holidaze was cute. It’s a little Vice Versa, a little daytime soap, with a healthy sprinkling of It’s A Wonderful Life. Probably not even in the top half of made for TV Christmas movies of the last 15 years though. ABC Family also tried to maximize viewers coming off of the success of Glee and Pitch Perfect, the released The Mistle-Tones. A movie that combines group performance singing with Christmas themes. I don’t personally like it, but I understand why they thought they needed to make it.

2015 has been a complete snooze fest. On the surface, nothing seems out-of-place. Candace Cameron-Bure, Lacey Chabert (always fighting it out for Queen of Christmas movies), and even Danika McKellar (Winnie Cooper from the Wonder Years) makes a couple of appearances. There is a Debbie Macomber presence, always welcomed. And there are a stable of movies starring someone you thought was too good to do made for tv movies. Brandon Routh doing the Nine Lives of Christmas last year (which was GREAT), for example. All the mainstays and typical details one tends to look for are there. A bad example is Judd Nelson playing Santa in the forgettable Cancel Christmas. Judd Nelson is too harsh to pull off a jolly St. Nick.
This year has been completely forgettable. Take away the classics that Networks run and what you’re left with is a not very compelling holiday lineup. With movies like Ice Sculpture Christmas, Christmas Incorporated, A Christmas Detour and I’m Not Ready For Christmas…I’m not ready to devote any of my free time to watching these movies. Now I love my Queens of Christmas. I will give anything with Lacey Chabert, Candace Cameron-Bure, and especially Danica McKellar a chance. But I just can’t do some of these. Attention Hallmark, ABC Family and Lifetime…How many ‘real American girl discovers her boyfriend is really a prince’ movies are we gonna make. A Princess for Christmas was great. A Royal Christmas was still really good. I can’t get through Crown For Christmas. I’m sure it’s not as bad as I’m making it seem, but seriously, how many times are we going to do the same movie? This is especially disheartening because Danica McKellar is a part of one of the best made for TV Christmas movies of all time, Love at the Christmas Table.

The saving grace is that I, like a lot of families, have a young one who is focusing on the classics…as he should. Rudolph, Frosty, Twas the Night Before Christmas (all the Rankin and Bass classics), all of the Claymation specials (Misfit Toys, Christmas without Santa, etc), the Grinch, and his personal favorite, The Polar Express. What can I say, my son is crazy for anything with trains. So generally speaking, I don’t have the time to give each new made for tv Christmas movie a chance. All I know is that the ones I have given a chance to, have been overwhelmingly disappointing.
The bigger issue is not that they have missed the mark, the bigger issue is why? I think I have a theory.

I am a Christmas degenerate. I jokingly tell people that Halloween is the speed bump preventing me from starting the Christmas ‘Holiday Season’ earlier. I can find joy and comfort in just about anything from November through December. Even these teens and single digit temps we’ve been having out here lately. There is one detail that prevents me from being any other viewer during this time. There is no amount of money you can throw at marketing, no video promo you can air, no hint you can drop that will even for a moment come close to turning me into a year-long viewer of networks like Hallmark, Lifetime or ABC Family. Hell even changing their name to Freeform (Jan. 12) will not bring me to the formerly known as ABC Family. It just isn’t going to happen. Hate to break it to you, I do not care in the least about Pretty Little Liars. I don’t care about Cedar Cove. And you can’t make me care about Dance Moms or the next man hating Lifetime original movie. It just is not going to happen. I honestly could not possibly care any less than I already do about those networks unless they are airing Christmas content.

In the past I’ve made a minor fuss about stuffing their non-holiday programming down our throats. Now I wish that’s all it was. Whether by design or a friendly coincidence, these networks have gone from trying to maximize new viewers by running their non-holiday promos during holiday programming to actually altering the way they make their holiday movies to resemble how they make their non-holiday shows and movies. My biggest fear is that ten years from now, we’ll look back and say, “Those were the good ole days, 1999-2013”. There is a reason why people like me don’t watch those networks for 10 months out of the year, but go binge crazy during the remaining 2 months. When they were making heartwarming, cute, clever holiday movies for the sole purpose of maximizing viewers during the Christmas/Holiday months, they made magic (considering budget, cast and other factors), maybe it was lightning in a bottle. Or maybe that’s no longer good enough and someone in a board room decided to use this window to maximize opportunity.

My theory is that winning Christmas is no longer good enough for the Christmas Big 3. Would it be nice if some preteen watching Elf saw a promo for The Fosters and decided to watch it when it started its new season after the Holidays? Or maybe a retired government employee decided to give Project Runway a real chance. What these networks need to understand is that the bulk of their Christmas/Holiday viewers are never, will never consider watching their networks the rest of the year. And for good reason. If we liked what they put out, the countdown to Christmas stuff would just be icing on the cake. I believe they are slowly changing the way the make these movies, how the characters react, the temperament of the movies and even the subject matter of these movies to resemble what they make for the other 10 months of the year.

ABC Family (Freeform), Hallmark and Lifetime…understand what you are. Maximize that and try not to bite off more than you can chew. There is nothing wrong with being a heavyweight ratings wise during the holiday season and being a featherweight the rest of the time. I am a scripted network fiction, sports, new release movie type of viewer most of the time. I am not your demographic most of the year. Unless you’re going to start airing some new Tuesday Night Football or plan on bringing back Constantine, there’s nothing you can do that will interest me come February.

My advice to our readers is to do what makes you happy this time of year. That and focus on the classics this year. Hopefully I’m wrong and this is an uncharacteristically bad year for made for TV Christmas/Holiday movies. Watch them if you want. I don’t mean to stop you. But if you’re time is limiting or you’ve been wondering why none of these seem to interest you, stick to the classics this year. A Christmas Story, Vacation, Home Alone, Polar Express, The Grinch and of course all of the musical and animated specials we all love so much. Stick to what we know to be great and try again next year, hoping for improved results.

Courtesy of The CW and IGN

Courtesy of The CW and IGN

Warning: Spoiler Alert

Barry, Joe and Eddie are working together to prevent multiple armed robbery. The one ‘yeah but’ is that Eddie doesn’t seem as thrilled as the other two with the expediency in which these crimes are being dealt with.

Reluctantly at Star Labs, the team discovers that bees are the reason an innocent woman is now dead. Cisco’s paranoia about bees is almost comical. Just as Barry says, “I think I can outrun a bee”, Felicity Smoak enters the facility. Never a bad day when we get a nice Felicity crossover. She asks them to accompany her outside. As the ATOM (played by Brandon Routh who also played Kal-El in the most forgettable version of Superman in Returns) makes his appearance, they went there. The CW has no shame and went there.

Caitlin: It’s a bird.
Cisco: It’s a plane.
Felicity: It’s my boyfriend.

In the lab there is jealousy on Barry’s behalf. Awkwardness coming from Felicity and Ray. Cisco seems geeked to get his hands on the ATOM suit. And Harrison seems leery of Barry’s behavior.

Eddie is finding it more and more difficult to effectively keep the secret from Iris. He even made the mistake of complaining about his more intimate endeavors with Iris to Joe. Which never goes over well. Eddie then finds Barry with Felicity drinking coffee. What is it about Central City, young adults, and the addiction to coffee?

Cisco and Ray work together to improve the ATOM’s suit performance when Ray says something that triggers a flashback that technically speaking, never happened. Ray said, “You really are quite clever, Cisco”. The exact words that Harrison/Reverse Flash/Thawne said to him before he killed Cisco.

There is another bee attack. This time Barry is too late. And there is no sign of the bees. Then all of them fly out of the dead body Barry stands in front of. As fast as he ran, there were just too many of them. He gets outside and they disperse, but not before Barry experiences cardiac arrest. Joe attempts CPR until Cisco tells him to step back, there are defibrillators inside the suit. They revive him just in time.

At Star Labs there is a noticeable awkwardness. Barry couldn’t get out because Cisco was using outdated schematics. Felicity makes a joke about Cisco not trying to kill him, but the suspicion of Harrison Wells might just be spilling over. Once given the all clear, Barry speeds off to get dressed for the triple dinner date. There was also a bee left in Barry’s suit. If these are robotic, like they seem to be, that could spell trouble for everyone in Star labs.

Cisco drops in to talk with Joe. He’s picking up on Barry’s behavior. Joe deflects, then suggests that Barry might be worried about the next time the Reverse Flash shows up. Thus, triggering another flashback in Cisco’s mind that he’s not supposed to remember.

The dinner date is going horribly, especially since Barry is playing the third wheel. Barry walks out to get some air and Felicity follows. She now needs to know what is going on and will not accept “bad time” as an answer. Reluctantly, Barry lets her in on the issue with Harrison Wells and the confusion towards who he can trust. Today’s bee incident not helping that cause in the slightest. They luckily get called back to Star Labs, they found the bee. Barry captures the bee quickly. Then Cisco and Caitlin discover that it’s not a bee, it’s a robot.

A quick stop at Mercury Labs and the team has the identity of the ‘queen bee’. Meanwhile, Barry meets with Felicity about the current Wells/Cisco/Caitlin situation. By the end, Felicity’s take is to trust your friends. A concept Barry is struggling with.

Barry arrives home to find Iris there. She standing firm on her insistence to act bitchy towards Eddie. Is Eddie hiding something from her? Yes. It’s not another woman, so get over it. But, Barry gives a very plausible and in no way accurate explanation that she sincerely buys. Despite the fact that she’s surprised Barry would go to such lengths to have Eddie’s back on this.

The bees are en route to a new target. Mercury Labs. Barry can’t take on a swarm of robotic bees again with his defibrillator damaged, so Ray offers to go. Ray protects the target, Barry pursues the source only to find out that the source has many many more bees at her disposal. Good news is that Felicity has hacked the frequency. Bree, the queen bee, is not bad herself.

Felicity: Barry, I have them. I’m controlling the bees.
Bree: I’m the queen of this hive.
Felicity: She’s good. She’s like my nemesis. I’ve never had a nemesis before, I kinda like it.

Side note. Cisco and Ray Palmer are engaged in a real bro-mance. Cisco takes a ‘bee’ for Ray and almost dies. Barry arrives in time to use his talents to jump start Cisco’s heart.

In the end, Felicity’s skills win the day. She even has a ‘drop the mic’ moment, but it’s just odd coming from her.

Dr. McGee drops in on Barry’s lab to apologize for refusing their help. Before she can leave, Barry asks about the tension between her and Wells. She, in a very simplistic way, explained that Harrison Wells became a different person after Tess died. As we saw in the last episode, the night Tess died, Harrison Wells did in fact become a different person. Eobard Thawne parading around in a Harrison Wells meat suit.

Despite Barry’s great spin on the Eddie situation, Iris continues to tow the hard-line on telling her everything.

Cisco and Caitlin arrive at Barry’s lab under the pretense that they are going to karaoke. When they arrive, Barry and Joe look somber and the evidence board is open. Barry shows them what they have on the Reverse Flash and what they have on Harrison Wells. Caitlin is immediately defensive about the prospect. Cisco is silent. Until he is not.

Caitlin: Cisco. Say something.
Cisco: I’ve been having these dreams. Mostly at night but sometimes during the day. But they don’t really feel like dreams. They feel real.
Barry: What happens in the dream?
Cisco (looking at Caitlin): Dr. Wells is the Reverse Flash. And he kills me.